Louis-Charles Sirjacq

In the aftermath of WWI, a young German who grieves the death of her fiancé in France meets a mysterious French man who visits the fiance’s grave to lay flowers.

In Brazzaville, in 1944, Alex Emmerich was sentenced to wander the seas by Hélène Latray, the wife of Félix Beauvois, the man Alex loved. In 1962, exiled on Hatray cruises and feeling the coming death, Alex decides to compose for his love a testament: the photographic report of his agony.

Chamonix in the 1930s was a resort where a cosmopolitan, fashionable and sporting society thronged, in search of novelties and thrills found in mountaineering. These people rub shoulders with the Chamoniards but do not meet except on the trails of Mont-Blanc. The accident of Joseph, the patriarch of Servettaz, guides from generation to generation, marked the spirits. It is his son Zian who decides to take up the torch. Married to Bianca, the daughter of the wealthy Milanese industrialist who was partly responsible for her father's death, Zian lives out her great love story - a threesome - with the mountain always remaining the most demanding mistress. Tired of the agonizing expectations and loneliness during her husband's ascents, Bianca returns to Italy, Zian joins her, but society life is not his world, he returns to Chamonix. During an outing in the mountains, Zian falls into a crevasse. Bianca, alerted by a presentiment, returns to the one she loves above all...

A married couple lives in a state of mutual loathing, contemplating divorce until they invite their younger neighbours over for a drink. In that moment, the happy young couple is dragged into the bitter resentment and psychological warfare of the older pair.

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

A student demonstration in Paris leads to an unexpected reunion between two childhood friends.

10-year-old Saïd, a child of Algerian immigrants, is talented, motivated and would like to be a good student. But the conditions at the collège he attends in the Parisian banlieue hardly give him a chance. And then he is drawn into the criminal machinations of his brother.

At a wake one night in 1945, a group of aged women recall the life of one of their number. Sixty years before, Thérèse was barely 20 years old when she eloped with her boyfriend, Firmin, a blacksmith, to Châtillon, a town in Provence. Here, she makes the acquaintance of the wealthy Madame Numance, who is known for her good deeds. Realising that Thérèse is pregnant and unemployed, Madame Numance insists that she moves into a house on her estate. Whilst Firmin resents the arrangement, Thérèse soon finds that she can exploit the situation, using her benefactor's naivety and generosity for her own gain..

In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.

The next installment in a loose series about Renata Soukupová, first a girl and now a young woman. Renata, currently living in Paris, makes another return to the Czech Republic: a man comes to pick her up, and she decides to give him her love and trust. We know him from previous episodes; he is a former dissident named Holý, and he and Renata have always been attracted to each other. Renata realizes that he is finally the man with whom she would like to have a family. But Holý does not want children...

Lili is twenty years old, has an English mother, a magician father, a voice from elsewhere and a gift that only children know: the power of her own desire. It all starts with a summer night: that summer, Lili and Bruno will find love.

Gavron demonstrates that jealous feelings are useless in this story of a man, the nephew of the theater director in a small town, who envies the work of the conductor, one of his uncle’s employees. Part of the omnibus anthology film Seven Women, Seven Sins as Envy.

A former Yugoslav resistance fighter, Gregor Zidar, resurfaces in his old village in 1986, where locals have long believed him dead after his heroic act of saving hostages in 1944. Instead of gratitude, he faces cold suspicion and outright rejection.