Thanos Anastopoulos

In communist Czechoslovakia in 1980, Mara dreams of leaving her village to study in the city and become a pilot. But her father, a widowed Ruthenian farmer, insists she stay and work the land. When her village faces destruction due to a new dam, their generational conflict intensifies, revealing the struggle between tradition, identity, and the desire for freedom in a context of historical change.

A family story of incest, decadence and desolation. Greece, early twentieth century. A bourgeois family is on the verge of breaking up. The mother has abandoned the family, and the father, a retired officer, keeps his three daughters, as well as the illegitimate son of the oldest daughter, confined in the house. After his death, the three sisters live through their personal drama. The eldest, Eleni, imbued with the morals of the time and closely identifying with her father, tries to take his place. The middle one, Maria, representing rebellion, goes off with a captain of the sanitation service, while the youngest, Anna, skating on thin ice through all this, is completely destroyed.

Wednesday 6 May 2009. Andreas works as a bank teller and is in debt. He and his colleague, Marios, will watch the Champions League semi-final "Chelsea-Barcelona" together on TV. Who will finally win?

In a tale rooted in ancient Greek tragedy, a patriarch must decide the fate of his son and the boy he raised when a long-standing unneighbourly feud turns to murder.

A Greek filmmaker plans to shoot a film, following the footsteps of the Greek revolutionary Rigas Feraios. While visiting the cemetery, a small crowd of ghosts of the 18th century personalities decides to follow his path.

Marianna and her mother. Three days in their parallel lives, broken into: 1) departures, 2) visions, 3) passion and 4) an ascent.

Everyone carries something, some burden that weighs him down. Some are crushed, others are freed, others just carry on. Eleven characters cross each others paths, unveiling their fears and desires, during the world weightlifting championship

A man gets out of prison. Like a modern Ulysses he will undertake a homeless journey into contemporary Athens peopled by migrants, homeless, and other marginalized persons of the society. On his way he will meet a woman and a little girl. Are the three of them members of a disrupted family or just persecutors and victims of a violent and conflict driven society that prevents them from living together?

Greece, Russia, USA, Brazil, China, Senegal. Meeting young people in these countries we heard a ‘Rumble’ foretelling an impending explosion. The fall of communism, crisis of capitalism, ecological catastrophes, migration waves, globalization. The new generation is at the forefront, exposed, helpless without being able to envision a more optimistic future. This ‘Rumble’ comes from this young generation. Their words, images, sounds and music compose the notes of an audio-visual symphony entitled: ‘The Rumble of the World’.

In a city where the boundaries have changed greatly, where to go in Slovenia identification, where the barriers (real or metaphorical that they need not even show) have crumbled over the years, where the famous wall of mental hospital was demolished in the seventies thanks to Basaglia revolution, there is a wall that still stands. The wall that separates at the beach "At Lantern" women and men, but commonly called by all Trieste "Pedocin", unique in Europe, the noisy quiet corner, a stone's throw from the city center.

Olga, a domestic worker originally from Albania, finds herself in a house she works in downtown Athens, at the right time. Or at the wrong one?

While attending a reintegration programme, Lena finds a job that gives her access to the rural jail for minors, where her son is serving his sentence. Last time she saw him, he was five years old.

A railway crossing in the middle of nowhere. Two guards: solitary Yiannis who never leaves his post and cool Antonis who goes with the rhythm of the landscape. Every once in a while, a voice announces the passing of a train. The two guards manually lower the bars. Nothing seems to stir their daily routine until love charges in, crushing all certainties.

When fourteen-year-old Myrto learns her father has fled to avoid paying his debts, she kidnaps the son of his business partner whom she blames for bankrupting her father's joiner's workshop. Memories resurface as she wanders through the aisles of the workshop, where she hides her victim between stacks of spruce, oak and ebony.

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The director creates a parallel of thirty years of her life (mid-1980s to 2012) and the evolution of her country, Greece. The loss of her lover, revived in archive photographs and 8 mm movies, is the background for her despair facing contemporaneous Greece, seen by her in the streets and viewed on television broadcasts from American and Russian channels.