
Pontus Hultén
Directing
Biography
Karl Gunnar Vougt Pontus Hultén (21 June 1924 – 26 October 2006) was a Swedish art collector and museum director. Pontus Hultén is regarded as one of the most distinguished museum professionals of the twentieth century. He was the pioneering former head of the Museum for modern art in Stockholm and in the 1970s he was invited to participate in the creation of the Centre Georges Pompidou in Paris, where he was its first director in 1974–1981.
Known For

Britt and Danin meet by chance one evening in Stockholm. During the long, bright night in June they act a half childish, half erotically strongly conscious hide-and-seek game with each other and with their own feelings
Juninatt

François de Menil and Monique Alexandre's short portrait of artist Niki de Saint Phalle, shot in 16mm, 1982.
Niki de Saint Phalle

"The Art-collector and the catastrophe" - The untold story of how Sweden lost a world class art collection. Private art collector Theodor "Teto" Ahrenberg obtained art directly by artists like Picasso, Chagall and Matisse. He became friends with the international artists elite. And therefore developed a conflict with the Swedish art establishment. The Director of the Modern museum Pontus Hultén became his nemesis. Revenge to Theodor Ahrenberg would be creating his own art museum of Stockholm. Designed by world-famous architect Le Corbusier.
Konstsamlaren och katastrofen

A collage film in which Pope Pious XII does a juggling act.
A Miracle

Investigating Tinguely’s working methods, his art, and his inspiration, this film records the artist at work over a ten-year period and documents the design and construction of his monumental sculpture, Le Cyclop. — Anthology Film Archives
Tinguely: A Kinetic Cosmos

Pontus Hultén's X consists both of animated, geometric sequences and of other photographic scenes reminiscent of home movies. In the geometric part of the film, Hultén works with the rhythmic displacement of contrasts and patterns in bright primary colors. Geometric images are intertwined with jazz to illustrate analogy of form. The photographic part consists of family sequences of various persons. The catalogue of Arbetsgruppen för film of 1960 lists the work as unfinished. (Filmform)
X
Sture Mars pointed his film-camera towards the cultural and social life of Stockholm. He recorded unique moments and events like the ongoings in Gamla Bro, Hippie forums, the Magnus Ladulås pub, the grand opening of Kulturhuset, festivities at the University of Uppsala, and those that are forced to live and work in the streets and corners of the big city.
Sture Mars Collection 69-79
A dadaist explosion that starts as a typical Hollywood travelogue of Stockholm and ends in the city's total destruction by fire and dynamite. This is a hilarious anarchist film; made by the then unknown Hulten now director of Stockholm's Museum of Modern Art. In a particularly subversive scene, the fire engine, arriving at a fire, goes up in flames.
A Day in the City

Documentation of an exhibition entitled Le Mouvement held in Paris in 1955, co-curated by Breer and Pontus Hulten. Features works and appearances by Breer, Tinguely, Agam, Soto, and others. — Anthology Film Archives