Mitică Popescu

In order to make a living, old Nica turns her country house into an anemic, bankrupt "pension". Her only joys are her dog's chirping and the TV news program. Out of loneliness, she sometimes imagines herself the heroine of a soap opera: secretly, Nica is in love with the news anchor Paul. The old woman decides to take a trip to Bucharest, where her daughter, Tuta, a nurse, lives with her concubine, Jenel, and Marilena, her 15-year-old daughter. In the capital, her passion for Paul takes paroxysmal forms. Nica monopolizes the remote control to stay on the same TV channel for which Paul presents the news, which will attract the family's irony. She even goes so far as to look for her "beggar" at the TV station, writes to him, exposing herself to humiliation and mockery. But she resists until illness and shame bring her down. Everything culminates in the old woman's attempt to commit suicide...

All important figures, from police officers to the president commit abuses and fight for rights that normal people doesn't dream.

Depicts Romania during World War II, focusing on the Royal Coup that toppled Ion Antonescu, the Axis-allied Conducător and authoritarian Prime Minister. Focused around the August 23rd 1944 coup against Marshal Antonescu, the movie also tackles other topics from the same era such as the Iron Guard rebellion and the execution of political leaders by communists.

In the sequel to Saltimbancii (1981), Fram the polar bear and the performing Marcellonis weather plotting competetors, bumbling kidnappers and family tragedy in this entertaining family film.

The life-story confession of a prisoner waiting for his trial. Victor Petrini, a promising intellectual in the 1950s and a lecturer in Philosophy is arrested by the repressive secret police, wrongly accused of espionage, and sentenced to prison and forced labor.

A lunatic conductor-director brings to light a kaleidoscope of characters from a kind of insect. Comedy in "zig-zag" from smile to laugh, inspired by a book by humorist Valentin Silvestru.

In Alexandru Tatos’s debut film, a young urologist is assigned to a town hospital with no urology ward and keeps bumping up against his superiors because of both ethical and medical problems.

This movie is about a person that was convicted in the 50s by the stalinist policy of the times, then released and re-educated at the workplace in 65, as the policy changed.

At the beginning of the 40's, Victor (Gabriel Oseciuc) is a young Communist who has been hiding for months in a built-in room to print out on his own the free newspaper Communist Command.

Nea Costel and her consort, Didona, want their daughter, Tina, to participate in the Miss Litoral beauty contest. But Tina is in love with a shy and jealous boy who does not see in Tina a beauty of the kind that appears on the covers of magazines and wants to keep her only for himself.

A Romanian village in the 50s. Năiţă Lucean, a cunning and stubborn peasant, opposes the collectivization process using all possible artifice. He instinctively feels that signing his land and cattle over to the state can only bring bad times for him. His only certainty is the ownership of this insufficient and barren plot of land. Although he strongly opposes it, the idea of the collective good is forcibly enforced.

In a devastating story rife with visual metaphors, Romanian director Mircea Daneliuc traces the slow mental disintegration of a confirmed gambler, using his disorder as an allusion to a greater national and social disorder. Set in the 1930s, the middle-class gambler meets an elderly man who seems to bring him good luck at the gaming tables. Rather than treasure his friendship and the good fortune it brings, the gambler takes advantage of his friend, and by his actions drives the man to suicide. Unable to reconcile his own mental demons, the gambler wanders through the house of his dead friend, and his experiences there only serve to unsettle his mind more and more and more. In the last reels of the film, the fantasies of the hero's deranged mind take over.

The survivor of a cursed family seeks revenge on the lover who jilted her.

In 1919, young Doctor Poenaru is sent to be the director at a country hospital. On his way there he meets a formar army comrade, now a lawyer. An ideological and philosophical dispute ensues, the two following different paths in life.

Marina, a girl from a stunt team, passively assists to everyone's rush to choose the protagonist without whom the filming cannot begin. After weeks of nothing happening, the director, reviewing the footage on the screen, is struck by the photogenic photo of a young girl in an extras scene, which no one can identify. Marina doesn't want to reveal the secret to those on the set because, more pragmatically, her goal is different: admission to cybernetics!

Story of a family. Problems, marriage, taxes, revenge, friendship, army, life and much more.

Based on actual events which happened at the Radio Romania station in Bod-Brasov, during the beginning of the revolution for social liberation and for the country's national liberation, an anti-fascist and anti-imperialist revolution, on August 23, 1944. After King Michael I ousts the Nazi-allied dictator Ion Antonescu, Nazi troops struggle to recapture the Radio Romania station, their former headquarters in an attempt to regroup their forces, but are opposed by a determined band of anti-fascist fighters.

The film was shot in Tudora, Botoșani County, and depicts the life of peasants under the harsh rule of the boyars. It recounts the events that took place in the village of Halunga in 1907, when peasants resorted to violent actions to obtain the property deeds they had acquired. The film is based on the novel of the same name by Ion Creangă, adapted for the screen by Constantin Rădulescu-Hodariu.

Based on a theatrical text by Romanian writer Ion Luca Caragiale (1852-1912), who was a bitter and funny witness of the turn-of-the-20th-century Romanian bourgeois mores, Carnival Scenes manages to preserve and further enhance the slightly hysteric atmosphere of his plays. Pintilie creates a strange combination of carnival scenes which is brought to the screen as a burlesque, fast-paced, screwball comedy with a meditative undertone. This film was banned in Romania for a decade until the death of Ceausescu in 1989 and was only released after the 1989 revolution.

Maria Sorescu, director of a re-education school, becomes mayor of a town. She tries to improve the predecessors' record.