
Beatrice Gray
Acting
Biography
From Wikipedia, the free encyclopedia Beatrice Gray (March 3, 1911 – November 25, 2009) was an American actress and dancer best known for her appearances in a series of western films during the 1940s and 1950s. Gray was born Bertrice Kimbrough on a farm near Carthage, Illinois. She began working in the entertainment industry in Broadway productions, as well as a performer in nightclubs. She earned her first acting role in the musical, New Faces of 1935. After moving to California in 1937, she appeared in the New Faces of 1937 by RKO Pictures. She worked as a dancer for Busby Berkeley. Gray appeared in a number of westerns throughout the 1930s, 1940s and 1950s, many of which were produced by Monogram Pictures. Her other films were with Universal Pictures, including the 1958 movie, Wild Heritage. She ultimately appeared in three films starring Hoot Gibson and Bob Steele - The Utah Kid, Marked Trails and Trigger Law (all 1944).
Known For

In 1927 Hollywood, a silent film star falls for a chorus girl just as he and his paranoid screen partner struggle to make the difficult transition to talking pictures.
Singin' in the Rain

A police detective falls in love with the woman whose murder he's investigating.
Laura

A scientist working on cures for rare afflictions, such as a bone softening agent made from molds to allow him to correct the spinal deformity of his nurse, finds the physical causes of lycanthropy in wolf-man Larry Talbot and of vampirism in Count Dracula, but himself becomes afflicted with homicidal madness while exchanging blood with Dracula.
House of Dracula

When Joan Boothe accompanies husband-reporter David to Las Vegas, she begins gambling to pass the time while he is doing a story. Encouraged by the casino manager, she gets hooked on gambling, to the point where she "borrows" David's expense money to pursue her addiction. This finally breaks up their marriage, but David continues trying to help her.
The Lady Gambles

Lost Caverns Hotel bellhop Freddie Phillips is suspected of murder. Swami Talpur tries to hypnotize Freddie into confessing, but Freddie is too stupid for the plot to work. Inspector Wellman uses Freddie to get the killer (and it isn't the Swami).
Bud Abbott and Lou Costello Meet the Killer, Boris Karloff

Lou Costello plays a country bumpkin vacuum-cleaner salesman, working for the company run by the crooked Bud Abbott. To try to keep him under his thumb, Abbott convinces Costello that he's a crackerjack salesman. This comedy is somewhat like "The Time of Their Lives," in that Abbott and Costello don't have much screen time together and there are very few vaudeville bits woven into the plot.
Little Giant

A Shakespearian actor starring as Othello opposite his wife finds the character's jealous rage taking over his mind off-stage.
A Double Life

Raised by Natalie Brennan, a flamboyant and irresponsible mother, Ziggy Brennan gets involved in hustling men at a young age. She hangs around with a wild crowd and learns gets her "street smarts" first from her mother, who wants everyone to think they are sisters, and then from Denny Reagan, an older man. He starts teaching her his tricks of the trade and she falls right in line with his crooked ways. Then one night she meets Martin J. 'Mart' Neilson, a tall, handsome, honest farmer boy who's a sailor and they fall in love. While he's away fighting the war, she discovers she's pregnant.
That Brennan Girl

Two smart marketing people resurrect some old films starring cowboy Smoky Callaway and put them on television. The films are a big hit and the star is in demand. Unfortunately no one can find him. When a lookalike sends in a photo, the marketing team hires him to impersonate Callaway. Things get sticky when the real Callaway eventually shows up.
Callaway Went Thataway

A Los Angeles newspaperman seeks a woman's sister and finds a black-market baby ring.
Abandoned

Hoot Gibson and Bob Stanley ride into Arizona seeking the killer of Bob's father, who managed the stagecoach line in Eggleston for Kelso McGuire.
Trigger Law

Deaf boxer Paul Callan captures the interest of gold-digging blonde Sonya Bartow and retired fight manager 'Pop' Richardson. For a time, Sonya has the upper hand with Paul, but ultimately a rival appears in the shape of upper-crust reporter Ann Hollis. With a 3-way fight under way for influence over Paul, he takes matters into his own hands, but learns that getting what he wanted isn't necessarily a happy ending.
Flesh and Fury

A husband and wife act are hoping to find success on Broadway.
Everything I Have Is Yours

A crooked producer makes money from Broadway flops by selling more than 100% interest to multiple parties. He only fails if it makes a profit.
New Faces of 1937

Wounded while stopping the James gang from robbing the local bank, a cowboy wakes up in the hospital to find that he's been elected town marshal. He soon comes into conflict with the town banker, who controls everything in town and is squeezing the townspeople for every penny he can get out of them.
The Kansan

The Utah Kid was a late entry in Monogram's "Trail Blazers" series. These low-budget westerns usually featured three cowboy stars; this time, however, there are only two, Bob Steele and Hoot Gibson. Though neither star is a spring chicken, Steele is the younger of the two, so he's the "Utah Kid" by default. The plot, involving a gang of crooks who go around fixing rodeo results, was designed to accommodate yards and yards of stock footage.
The Utah Kid

A cowboy investigating his brother's murder finds himself going up against a banker who holds the deed to the cowboy's family ranch.
Trail to Vengeance

Burly Johnny Mack Brown once again plays undercover U.S. Marshal Nevada McKenzie in this overly complicated series oater from low-budget Monogram. This time, McKenzie, who goes under the alias of Roy Ferris, is waylaid by would-be stage robber Cy Manning (John Merton) en route to the Bar X Ranch.