Günter Kunert

No description available.

No description available.

Vienna, 1813-1819: Beethoven (played by Donatas Banionis) is at the peak of his fame. Orchestras all over the world play his music, but he lives modestly and is dependent upon private patrons. Nagged by his patronizing brothers, spied upon by officials for his republican beliefs and faced by his progressive hearing loss, the composer becomes more and more isolated. Seeman’s poetic film explores the joys, heartbreak and artistic spirit of the great composer as he works on his Ninth Symphony.

A film about the experiences of a cab driver who drives a young, heavily pregnant woman who has collapsed in a store to hospital. The encounters during the subsequent search for the future father so that he can take the expectant mother's things to the hospital are shown. The GDR leadership argued that the film should be banned.

The writer Franz Schmidt reads to two editors from his new romance novel. The two criticize the lack of a problematic portrayal of the joyful life of youth, the role of women and the collective "welding together". He is asked to revise the work again. In his new version, the writer presents - in a staged setting - a pair of lovers who want to start a life together in front of smoking chimneys with a piece of steel from the new production. But even this does not satisfy the two art experts. A couple are kissing in front of the window. They point to it and recommend another revision. Outraged, Mr. Schmidt tells them he is going to write a story about real-life art experts and leaves. Their photo disappears into a folder labeled "superfluous contemporaries".

The young lady Lisa Gau probably took her own life at Seilergasse 8 in Rostock, at least that's what it looks like. Captain Schirding, who has been assigned to the case, sees things differently. Together with forensic scientist Kurt Lisowski, he investigates the case and soon discovers that Lisa was poisoned and is shocked when all the evidence points to his...

No description available.

In August of 1914, amidst the public ecstasy surrounding the impending war, Hans Gastl, the young son of a Munich bürger, makes a decision: he will not take part in this war. This resolution signifies a turning point in his life; a farewell to his class and his family.

The Time Machine is purchased from an antiques store by a physician from Berlin. Much of the script plays out in one room in the Berlin villa of Dr. Erasmus Beilowski. He and his well-educated friends have an intelligent discussion about the world and the future, with a view to the Time Machine. What to use it for?

In this German drama, Brock, a railroad inspector, witnesses a robbery at a train depot. He recognizes the thief, but turning the man in would mean acknowledging he knows him, thus revealing his own complicity with the Nazi war machine. When Brock’s daughter and her boyfriend begin to question him about the incident, will the secret he’s kept for nearly 20 years finally be exposed?

What to do if you are stuck as a police officer in a boring small town, no decent crimes happen and you should actually make the big career at the instigation of your wife? In this lamentable situation is Heinrich Karpf. An unfine plan is supposed to bring about the change: where there is no spectacular case, one must be faked...

A film about Jewish cemeteries in East Berlin, based on a screenplay by Günter Kunert, with text by Rabbi Martin Riesenburger. There are shots of gravestones and inscriptions – deported, murdered, perished; in Auschwitz or Theresienstadt. Commentary reminds us of the victims – "in 1933, 160,564 Jewish citizens lived in Berlin; in 1945, 3,500".

At the end of the 19th century, German archaeologist Professor Bohmann is searching for the remains of the legendary island Atlantis. But he is not the only one who is trailing the myth. His adversary, the British scientist Sir Grey claims to have already found Atlantis. In different masks and guises, he sets cunning traps to keep off his adversary from finding Atlantis.

Engineer Strebel′s apprentices think of nothing else but music and dancing, although they should really concentrate on their marks. Consequently, Strebel is anything but delighted with his pupil. To top it all, a TV show becomes interested in a performance by Strebel′s apprentices. To calm down their teacher, Jutta Fröhlich, who has already cast an eye on Strebel, makes him an offer: When they better their marks, Strebel would permit them to make a performance on television.

East German documentary about the Ravensbrück concentration camp.

Follows the writer Günter Kunert on his return to West Berlin after his emigration from the GDR.

A man escapes and kills a guardian.

Günter Kunert explores the small town Bernau near Berlin and its history.

Constructed from still photos and inspired by the essay of the same name by Günter Kunert.

On an open‐air stage, a small town’s Pioneers enact King Midas’s tale: granted by Bacchus the power to turn everything he touches to gold, Midas’s greed backfires when even food becomes gold. Desperate, he begs the god to reverse the gift, only to be left with donkey’s ears as a lifelong reminder.