
Gerald Fox
Directing
Known For

The South Bank Show is a television arts magazine show produced by ITV between 1978 and 2010. A new series began on Sky Arts from 27 May 2012. Presented by Melvyn Bragg, the show aims to bring both high art and popular culture to a mass audience.
The South Bank Show

Not many people can see the dead (not many would want to). 12-year-old Johnny Maxwell can. And he's got bad news: the council want to sell the cemetery as a building site. But the dead have learnt a thing or two from Johnny. They're not going to take it lying down... especially since it's Halloween tomorrow.
Johnny and the Dead
Set in the Winter of 2002, at the height of British media hysteria over the massive influx of asylum seekers into the country. Sitting Ducks is a comedy about a slightly naïve group of Romany Gypsies who come to London to escape the discrimination they suffered in former Yugoslavia. Through a twist of fate they find themselves in the smart house of a television executive and his ambitious wife. Events spiral out of control when an ambitious Tory politician gets involved.
Sitting Ducks

When "American Psycho" was released early in 2000 it reaffirmed author Bret Easton Ellis as the controversial "bad boy" of contemporary American Fiction. "This Is Not an Exit" reveals the world inhabited by Ellis.
This Is Not an Exit: The Fictional World of Bret Easton Ellis

BAFTA and Grierson award-winning filmmaker Gerald Fox celebrates the centenary of the 'dream film' in cinema and its years of flowering during the silent film period in this kaleidoscopic, stylised documentary.
Kinaesthesia
An English family is forced to come to terms with the imminent loss of their beloved holiday house in Provence.
Mother's Milk

Gerald Fox’s film documents Bill Viola and his wife and close collaborator Kira Perov’s odyssey to create two permanent video installations for London’s St Paul’s Cathedral, Martyrs and Mary, the first art commissions of their kind to be installed in Britain’s most famous religious space.
Bill Viola: The Road to St. Paul's

A portrait of dance superstar Natalia Osipova which combines unique access to the rehearsal rooms of the Royal Ballet with Natalia's contemporary dance projects, to give an unparalleled glimpse into the working life of a great dance artist.
Force of Nature Natalia
The Mother is a powerfil, narrative dance production choreographed and directed by Archar Pita a master storyteller: Inspired by Hans Christian Andersen's dark tale, The Story of a Mother, this sumptuously designed production stars international dance superstar Natalia Osipova and multi-award winning dancer Jonathan Goddard. This inventive new production conjures up a dangerous, kaleidoscopic world. combining narrative dance and drama. In setting out to save her sick child, a young mother journeys into the unknown to face life and death. Will she succumb to the forces of evil, or will the power of motherhood prevail?
The Mother
A profile of the controversial Yugoslavian director.
Emir Kusturica

A documentary on the photographer Robert Frank.
Leaving Home, Coming Home: A Portrait of Robert Frank

A riveting documentary that follows superstar violinist Janine Jansen as she embarks on a once-in-a-lifetime opportunity to record a new album on 12 Stradivari violins.
Janine Jansen: Falling for Stradivari

Fox’s BAFTA Award-winning documentary about artists Gilbert & George, whose lives have been made ‘living sculptures’, provides a compelling insight into their working processes. Filmed around their home in East London and documenting their lives first hand, this is a fascinating film that engages with their challenging and witty art.
The Fundamental Gilbert and George

In his studio, in his car, Gérald Fox follows the elusive Boltanski who, in his installations, makes use of portraits, newspaper clippings, magazines, family albums. The photographic approach, endlessly recomposed, proceeds by juxtaposition and accumulation. Each shot, framed in black, is lit by visible bulbs, the mass effect restoring the individual: walls of votive images that question the memory, our dark side, the inevitable passage of time, the traces left behind. Between autofiction and reality, Boltanski: artist or maker (of beauty)?