Ebrahim Golestan

Set in a leper colony in the north of Iran, The House is Black juxtaposes "ugliness," of which there is much in the world as stated in the opening scenes, with religion and gratitude.

Documentary showing behind-the-scenes footage of the film 'Nader and Simin, A Separation'. Director Asghar Farhadi himself talks about his film and how the idea for it came about.

A satirical comedy about a poor farmer who, while plowing his field, accidentally uncovers an ancient burial chamber loaded with gold artifacts. Realizing that the trove would somehow liberate him from his bumpkin existence, he brings pieces of it to a jeweler in the city.

Hashem is a cab driver who finds an infant child in the back seat of his cab one night after he gives a ride to a young woman. Hashem and his girlfriend, Taji, try to cope with this unwanted child. Hashem insists on getting rid of the child, Taji on keeping him.

A documentary about Farrokh Ghaffari, Iranian filmmaker.

The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.

"We should start with a correspondence, maybe we will not correspond to one another. Ebrahim can send me a letter this Friday, and I'll answer him next Friday. So, see you Friday, Robinson!" And so, Jean-Luc Godard stages himself in his daily thought, wisely desperate, and sends images and words from Switzerland to the other side of the Channel. In his mansion in Sussex, Ebrahim Golestan tries to decode these UFO-messages and skilfully seeks to bring them back to the appearance of reason. And so on, until the day a veil falls over the two Gods on the run. Does the existence of poets still have any meaning in these times of distress?

Fanizadeh documentary is about the famous actor of Iranian cinema Parviz Fanizadeh. This documentary film deals with his life and works. This documentary is based on the talks of characters from theater and cinema who worked directly with him. Among them there are Taghvai, Mehrjoui, Golestan, Kimiaiee, Nosrat Karimi, Behrouz vosoughi, Pari Saberi, etc.

A documentary about the oil pipe installation in Khark, Iran in 1962.

Simin Daneshvar was an Iranian pioneering novelist who lived nearly for a century and under 3 different political regimes. She and her husband, (Jalal Al Ahamd) have been regarded as "Iranian Simone de Beauvoir, and Jean-Paul Sartre". But they had a very different fate. Simin's life is a mirror of what has happened to Iranian women throughout a century, from unveiling the hijab and playing important roles in society to imposing hijab and staying at home in the Islamic regime. This film looks at her life through the history of women's movement in Iran.

The banned and unseen Harvest and Seed is a sardonic look at the conditions of a poverty-stricken Iranian village after the so-called agrarian reforms of the early 1960s, which amounted to a corrupt land grab rather than an equitable redistribution of wealth. This film recorded in village in south of fars, Shiraz, Esmaeel abad

Abadan, in the vastness of the oil areas of southern Iran...

Ebrahim Golestan's contribution to an anthology film about the rites of betrothal in four separate countries.

A documentary on Hajj pilgrimage.

This is a short documentary about Marlik hills and the archaeology's explorations there. But also it is about life, art, and the hope for a better tomorrow.

Short documentary by Ebrahim Golestan

The Crown Jewels of Iran is a 1965 film commissioned and then banned by the Shah’s cultural ministry, featuring dazzling edits and camera movements and a charged narration assaulting economic disparities.

A documentary fairy-tale that begins in northern Iran and winds its way to Munich’s Westend. There, the Iranian poet in exile, Hossein Mansouri, goes in search of the boy and discovers a real oriental fable about his own roots and the magical power of words.

This documentary that its filming has taken 10 years long, has shows a new picture of Ebrahim Golestan, Iranian filmmaker and literary figure of the 20th century.