Miguel Nunes

A small town in Portugal becomes engulfed in a web of political intrigue when a young engineer is recruited as a KGB spy in this historical thriller.

The story of the forbidden romance between Paula, a nun of the Convent of Odivelas, and King D. João V. A love without limits, which takes place in the eighteenth century, and made the King ignore common sense and take the nun as a lover, a confidant, and a counselor. Based on the historical novel by Patrícia Muller.

Adaptation of Miguel Torga's iconic short stories. An intimate look at a rural community in the 1940s. Each chapter has its own protagonist, whose existence is untouched by modernity or the outside world. Five portraits of humble lives with enormous resistance to suffering - and a capacity for violence that, at times, proves impossible to repress.

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Vera is a singer in her thirties; she is back in Lisbon for the final performance of her concert tour. The heat and beauty of Lisbon makes one want to be happy. Pablo, the companion she selected from among the many who answered her questionnaire, helps her through the sleepless nights. He has no family, but wishes he had. Vera concerns herself with the mysteries surrounding Pablo's life. Vera is not afraid of the night; she is not afraid of anything.

Maria Vitória lives in a remote village in the Portuguese mountains and plays football on the local boys youth team. Determined to become a professional, she devotes all her free time to intense training with her father. Their routine is shaken by the unexpected return of her older brother, who left many years earlier after a tragic fire that took their mother’s life. As she prepares for the most important match of her life, Maria begins to question her father’s authority and gradually seeks a way to break free and take control of her own future.

In 1971, António Lobo Antunes' life is brutally interrupted when he is drafted into the Portuguese Army to serve as a doctor in one of the worst zones of the Colonial War – the East of Angola. Away from everything dear he writes letters to his wife while he is immersed in an increasingly violent setting. While he moves between several military posts he falls in love for Africa and matures politically. At his side, an entire generation struggles and despairs for the return home. In the uncertainty of war events, only the letters can make him survive.

An unexpected meeting on Twitter, introduces young actress Luísa to António, a writer and journalist, who hides his identity using Rasputine as his profile name. This virtual relationship becomes the centre of their lives and one day, they finally decide to meet. But, on his way, António has an accident…

Six friends meet every evening in a basement to make music. During the daytime, however, there are no rehearsals for what life brings us. Each endeavour leaves its mark. Rita left Ricardo, Rafael found her, but she still feels lost. Eduardo thought he no longer liked Maria, but after what he has done he cannot turn the clock back. João lacks the courage to breakup with his girlfriend and takes refuge in the song he is writing for Inês. Marco struggles to get another young man’s love, but he is under no illusions. Samuel believes in everlasting love but something is wrong because his friends haven’t heard from him for sometime. Inês, attempting to feel safe, likes to experiment and she's waiting to see how things go with João. With all this going on, how could the band not be falling apart...?

Cinema and affections from life in images and what goes on outside the frame. 'Snapshots' of shootings and the present-day memory of directors, actors and technicians.

In love with Trás-os-Montes and with his Guide of Portugal as a source of inspiration, Miguel looks for stories for his new documentary. One day, the appearance of a man riding a donkey changes his future.

Laura and Lucas live temporarily in Berlin and are set to go back to Lisbon together soon. I guess this is how I think about myself too. That I will go back to Lisbon soon. But I often find myself doubting it and becoming a kind of split self. Because now with this crisis and the very controversial austerity IMF program running in Portugal I found most of my friends leaving Lisbon; and family about to mortgage their homes. I wanted to talk about this feeling of separation that I see in my generation, about this state of being in between an apparent solid past and an unknown future, about this identity in transition.

Pessoa famously published under many heteronyms: around 75 different names, each with fully fleshed-out backgrounds, styles, appearances and philosophies. Taking this a step further, Não Sou Nada gives flesh to these characters, all working together under Pessoa, enacted by Miguel Borges, at the publishing house The Nothingness Club.

A boy from Vila do Conde records a love letter on a cassette. His voice blends with music, archive images and stories from the past, some lived and others heard.

Teresa is a soap-opera actress. Meeting again an old passion brings her back apparently lost memories, leading her to question not only her love life but also her career options. In the studio, the daily work is spiced by the frenzy group of younger actors. After all, they all ask the same question: where does happiness lies?

Lisbon, 2027. Marta and Miguel are both researchers that are part of a scientific group and a couple in their private lives. Their relationship will be put to the test on one decisive night when the parameters that Marta is analyzing point to the very high probability of a major earthquake hitting Lisbon. The group splits, debating whether or not to warn the population of the possible impending tragedy.

This is the story of a young Mozambican footballer called Eusébio, a gifted athlete destined to great achievements, coveted by rival clubs, Sporting and Benfica, which ends up hiring him. Blackmail, kidnapping attempts, ministers involved, press hysteria and huge money offers make the story of this football transfer into a saga evolving between the two continents. It ends up when the legend begins: with Eusébio’s first match at the Benfica Stadium.

“An old photograph taken 36 years ago. His hand rests on my shoulder. A blessing, a gift. Then a history of over four decades of friendship, admiration and apprenticeship. A journey into Oliveira’s cinema, his method, his way of filming and his extraordinary cinematic inventions. He lived for over a century, over a century of cinema, cinema in its entirety. For him, and for me too now, documentary and fiction films go hand in hand; it is all about cinema. So I had the audacity to film a magnificent story that Manoel loved but never filmed, one that he left behind as if his hand and eyes were close to God, or among the gods, and he was steering me.” - João Botelho