Lola Randl

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A young woman has the idea of setting up her boyfriend with a very wealthy but sickly lady to claim her inheritance.

Luisa works as a couples therapist and has a loveless relationship with her husband Richard, but at the same time she is having an affair with Richard's boss Leopold. As everything slowly threatens to get out of hand, she wakes up one morning to find a second Luisa next to her, who looks just like her but, unlike the original, is somewhat naive and completely relaxed. Luisa christens her doppelganger Ann. At first, everything seems perfect, because while Ann lives out her needs and stays with Richard, Luisa can finally spend more time with Leopold. But as Richard slowly takes a liking to Ann, Luisa realizes that she is not happy with the new situation either. A serious conflict begins to brew between the two halves of her personality...

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Ada Hänselmann presents her debut novel. However, the numerous guests are only interested in the 82-year-old legendary actor Nino Winter and his autobiography. The two meet again in the evening at the hotel bar. Ada involves Nino in a game - he is supposed to play a detective and shadow her. After a tour of the city, the games continue: Both are to answer any five of the other's questions honestly. Nino is skeptical, but eventually there are hundreds of questions, big and small, casual and existential, about life, love, fame, transience: what would Nino look like as a woman, what was nature thinking when it created the family, what does love sound like, what does death mean? Ada and Nino become allies of the night. They have to jump over their own shadows and a magical closeness develops between them. It is an encounter that neither of them will ever forget...

The scientist Agnes must take care of a foreign flat. Without her family knowing about it, she visits this flat regularly and begins a parallel life. One day she falls asleep there. When she wakes, a foreign man lies beside her in the bed.

How can we live in a world that is heading for disaster—or, better yet, escape it? Between existential questions and formal research, this autofictional essay is full of sincerity, humor, and wisdom.

Led by filmmaker Lola Randl, a group of Berliners decides to settle in the countryside. The small community begins growing food crops but soon learns about the requirements of agriculture. A return to the land, amused and rich in lessons.

Lola and her family leave Berlin to move to the Uckermarck, a picturesque yet structurally poor region north of the city. While they are looking for the simple, good life in the countryside, the locals are sceptical about the new neighbours. To bridge the gap and overcome stereotypes Lola sets up a project to bring the old garden back to life, growing and breeding their own food. More and more people from the city and the village join in and the project becomes a reflection on how we are living our lives today. How does the modern urban, individual define work and love? And how does this change our relationships?