James Caffrey

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

Story Parade specialized in adaptations of modern novels. It was broadcast on June 5, 1964 and repeated on August 28, 1964. The teleplay was by Terry Nation (who invented "Blake's 7" and the Daleks in Dr. Who), and Elijah Baley was played by the late Peter Cushing. It also starred John Carson John Carson as R. Daneel Olivaw and Kenneth J. Warren. The master tapes of the program were erased, however a few clips from the production have turned up in various documentaries about Isaac Asimov's work.

During a routine patrol, a reporter is given permission to interview a hardened cold-war warrior and captain of the American destroyer USS Bedford. The reporter gets more than he bargained for when the Bedford discovers a Soviet sub and the captain begins a relentless pursuit, pushing his crew to breaking point.

A small island community is overrun with creeping, blobbish, tentacled monsters which liquefy and digest the bones from living creatures. The community struggles to fight back.

A police inspector (Donald Sinden) tracks down Russian anarchist Peter the Painter (Peter Wyngarde) and his gang in circa-1911 London.

Thomas Crimmins is a new warder, or guard, in an Irish prison. He is young, naive, and idealistic, determined to serve his country by his part in meting out justice to criminals. His superior, Regan, however, realizes that even prisoners are human beings, and Regan is sick of the eye-for-an-eye attitude that leads the state to execute condemned men, or "quare fellows." Crimmins begins to see that not all is black and white in his new world, and when he becomes involved with Kathleen, the wife of one of the condemned men, his attitude begins to change. When new evidence arises to suggest that Kathleen's husband may not deserve his fate, Crimmins is torn between his duty and his humanity.

The Lump is an uncompromising exploration of exploitation and resistance within the building trade.