Colbjörn Helander

An American bomber is shot down on the Norwegian coast during World War II. The airmen bail out and land at different locations. In spite of the German search for them, the Norwegian resistance picks them up and hides them in the attic of the local church, a center of operations. Things become tense, however, when the hideout is spotted by a notorious collaborator, and soon the protagonist, Hans, has to get the airmen to Sweden.

Depicts the royal houses of Europe (Norwegian, British, Belgian and Dutch) as well as Iran and the Principality of Monaco.

Bygdøy is the Peninsula in Oslo that has always been a place of residence for kings and clergy people. Now it has become a recreation area for Oslo's inhabitants, with museums, restaurants, beaches, and many other leisure and entertainment opportunities. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Hans Nielsen Hauge was a Norwegian reformer in the early 1800's both financially and spiritually.

Shows footage from King Haakon the 7th arrival in Norway in 1905 to the beginning of the space age.

Here, on a continuous basis, the city's sculptures are displayed, while a narrator tells us everything we need to know about it.

The ancient suburbs around the city of Christian IV, which today are a part of the inner city core, are being reviewed in the film. Unique photos of urban environments and old buildings that are now demolished are being shown. **** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.