Aleš Valič

This takes us to the Istrian camp Paradiso, where vacationers recharge their batteries away from the hustle and bustle of the capital city. The main characters, fall in love at first sight, but face a series of complications.

An original Slovenian series that will take us to an idyllic world by the Krka river. The central characters of the series are Irena Rot and Rok Slak, a charming photographer from the city and a nice carpenter from Dolenjska. Their path to happiness will be anything but easy. In a seemingly idyllic village, suspicious things begin to happen, namely someone incites fires and sows fear in the bones of the villagers and firefighters. It seems that some can't wait to stretch their claws around the necks of romantic couples, but it's the fire that ignites the first sparks of love.

Aleksandra is a student from Krško, a small town in Slovenia. She has a plan to conquer the world. Working as a prostitute, her life is heading to where she wants it, but an accidental death has her wrestling with new feelings of fear, loneliness, confusion and responsibility

At the end of the last century hunters who hunted wild roosters, while waiting for prey to show up, were killing time with storytelling. The first story is about Jernac that had a fight with Tomas because of Rezika. Another story tells about Tincek, limp foundling, who spent his youth with the Komar family, where he fell in love with their Lencka. The third is the story of a rich Miholac whose attention was grabbed by poor Polonca, a romance that was opposed by his father. The central theme of all stories is love that eventually everybody die of.

The comedy takes us to a small Slovenian town in which a pre-election fight is being established in Parliament. After the online coincidents become the main heroine of the event teacher Didka, which the client included on the candidate list only to the so-called ' female quota '.

A bald-headed professor Rozina, with the help of his brother and female assistant, for many years tests all possible chemical compounds and solutions that could accelerate the growth of hair cells. Meanwhile, in the far galactic kingdom, at the edge of the Andromeda nebulae, King Alfred caught his son smoking cigarettes. A single poof of that substance can be fatal, since gasified tobacco causes anti-evolution process in the population of this kingdom. Fortunately, the inhaled dose was so small that the prince devolves only to the level of a bull. As a punishment, father King sends him to Earth, which is famous for the worst grass in the galaxy, so he could socialize well and come to his senses. Grizel supposed to seven long years, to come to his senses and to socialize better. Coincidentally or not, the prince-bull finds himself in the laboratory of professor Rozina, where he becomes the subject of professor's research. And here the story of evolution and anti-evolution interweave.

When Peter comes back from the war, he finds his father changed and alone. Their former maid, Leni, has also left and soon Peter's grandfather also dies. His father begins writing his memoirs of his Partisan years. Peter blames his father for his mother's death, but the final blow comes when he catches his father together with his (Peter's) former girlfriend. He moves in with his brother and accuses Leni of having had an affair with his father. Peter decides to kill his father but cannot carry out the plan. His father tells him in a fit of rage that he isn't his son at all. Feeling desperate and down, he goes to Leni's place for comfort, and finds her dead on the floor. The police arrest Peter for the murder of Leni. Will Peter have to serve a jail sentence on his road to maturity and will political connections have a bearing on the final verdict of the trial? Peter doesn't even know whom he can trust anymore.

The city of Maribor before the Second World War, and Maribor after its liberation mark the period in which the film Cafe Astoria is set. The story relates with a gentle melancholy and a slight irony the lives of a middle-class family: the cafe owner, his wife and their son. Through their individual destinies we become acquainted with the social and historical background of a by-gone era; the social and national differences of pre-war Maribor, divisions among the wealthy and poor, and nationally minded Slovenes and fanatic Germanophils. The first year after the war introduced the absurd characteristic cruel measures of the so-called revolutionary social transformations in which calamity and coincidence intervene, resulting in events of comic nature, of course, as seen from a safe distance of fifty years.

Felix Langus is increasingly obsessed with the idea of communicating with supernatural forces, which warn him of the great peril of danger. Attacks of obsession are triggered by aggressive media, which are constantly challenged by dangerous information in a graduated rhythm. At his job as a driver, he has more and more problems. He's moved to an undemanding workplace, but his obsession proves to be dangerous even there, which leads him to unpredictable and grotesquely funny complications. Together with his psychotherapist, he can not escape a common fate...

A scandal breaks out in a small town just big enough to have a local newspaper.

In a small seaside town, a group of people discover their dark past and repeat their bad habits, even those from the time of inquisition and persecutions of witches. They're ought to repeat these actions as long as they start to experience love and forgiveness in some of the following stages of reincarnation.

Juš is a parish priest. What is his sin? How big is it?

This feature-length documentary about Professor Jože Dolmark shows the protagonist as a man of many insights, interests and talents; as an art historian, an authority on literature and the history of cinema and photography, a film critic, cineaste, screenwriter, actor, and above all an extraordinary teacher and professor, and in a new light: intimately, through anecdotes and his world view, as befits a man of his greatness. Jože Dolmark is a brilliant intellectual, an eloquent speaker, and an astute observer of Slovenian culture, cinema, and life at large.

Marko is an 11-year-old boy who would like to be like a cloud.

Milan, a successful company director, is replaced, and he decides to find out why.