Lima Barreto

In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.

According to an amazonian legend, every month, during the full moon, a brazilian fishing village receives a mysterious guest: the Dolphin, who transforms into a human to seduce and be loved by women and hated by men. One of her conquests is the daughter of a fisherman, who has a son with the Dolphin. He constantly reappears to seduce her, and even when she marries, he continues to look for her. This provokes the ire of the husband, who wants to kill him anyway.

The administrator of an abandoned coffee farm and inveterate gambler saves money to buy the property, even knowing of the loving connections between his wife and the boss.

This is a remake of Brazil's first international success in the cinema world. Just as its same name predecessor was, this film is a fictional version of the story of the "cangaceiros." These were bandits who sacked towns and spread terror throughout Northeastern Brazil in the 1930s. This group of outlaws is led by Captain Galdino and his wife Maria Bonita.

In the 19th century, a country girl is seduced by a young doctor who's staying at her house for a few days, caring for her, and tries to hide the forbidden romance from her father, who disapproves of the relationship.

A man seeks revenge after his sister get raped by an unknown foreign, identified only by scar and a missing finger. But his payback journey is a long way and bears its surprises.

Meant principally for a sympathetic audience, whether Catholic or not, this routine story about a priest's receiving the call to the cloth may be a bit slow and theatrical for some viewers. Directed by Lima Barreto, the tale is told in a series of flashbacks as the priest remembers how he was transformed as a child into a person willing to give his life in service of the church and his God. Barreto also scripted the story, which in the end, may be too filled with religious platitudes and preachy overtones to effectively convey its message.

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Documentary on the fresco paintings of Candido Portinari, who contributed to the development of a more realistic and modernist style in the art of Brazil.

Old Zé Cristino, riding his donkey, goes to Congonhas do Campo to fulfill a promise to São Bom Jesus do Matozinho. In front of the church, he admires the Sanctuary with its 12 prophets, a monumental work by Antonio Francisco Lisboa, known as Aleijadinho. Each prophet is shown in detail with the biblical text accompanying the images.

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