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David Mills

Writing

Known For

ER
7.8

ER explores the inner workings of an urban teaching hospital and the critical issues faced by the dedicated physicians and staff of its overburdened emergency room.

ER

1994
The Wire
8.6

Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.

The Wire

2002
NYPD Blue
7.1

Police drama set in New York City, exploring the internal and external struggles of the fictional 15th precinct of Manhattan. Each episode typically intertwined several plots involving an ensemble cast.

NYPD Blue

1993
Homicide: Life on the Street
8.1

An American police procedural chronicling the work of a fictional version of the Baltimore Police Department's Homicide Unit.

Homicide: Life on the Street

1993
Treme
7.6

Tremé takes its name from a neighborhood of New Orleans and portrays life in the aftermath of the 2005 hurricane. Beginning three months after Hurricane Katrina, the residents of New Orleans, including musicians, chefs, Mardi Gras Indians, and other New Orleanians struggle to rebuild their lives, their homes and their unique culture.

Treme

2010
Kingpin
6.4

Kingpin is an American crime drama television series which debuted on the NBC network in the U.S. and CTV in Canada on February 2, 2003 and lasted 6 episodes. NBC's answer to The Sopranos and also influenced by The Godfather, Macbeth and Traffik, the story was about a Mexican drug trafficker named Miguel Cadena and his family life. It was to be followed by a television series, but low ratings canceled those plans. Commercials for the mini-series on NBC featured the song "Más" by the Mexican band Kinky.

Kingpin

2003
The Corner
7.8

The Corner presents the world of Fayette Street using real names and real events. The miniseries tells the true story of men, women and children living amid the open-air drug markets of West Baltimore. It chronicles a year in the lives of 15-year-old DeAndre McCullough, his mother Fran Boyd, and his father Gary McCullough, as well as other addicts and low-level drug dealers caught up in the twin-engine economy of heroin and cocaine.

The Corner

2000