Nilüfer Aydan
Acting
Biography
Nilüfer Aydan was born in Istanbul in 1940. She left middle school to work in a film company, married at 16 and soon found herself in the USA, dancing in nightclubs. Her film career began in 1958, back in Turkey, and she went on to perform in almost 40 productions during the 1960s.
Known For
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Böyle mi Olacaktı
Dr. is trying to put into effect the so-called "perfect world" project in his mind. Ateş and his team are a group of crazy people who ruin the lives of innocent people without blinking an eye in order to find a surrogate mother who will instill the perfect gene in their hands. Ateş and his team learn that Yasemin has the blood with which they can create the perfect gene.
Blue Dream
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Berivan
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Zümrüt
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Affet Bizi Hocam
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Zirvedekiler
An event that happened years ago, the deep-seated animosity between two families and the hatred that comes to light after a teacher's return to the village The story of a young man who returns to his village to rekindle his fading dreams.
Yeşeren Düşler
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Bay Kamber
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Marziye
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Yeşilçam Denizi
Salih is a mechanic and the son of a respected barber named Ali. A woman named Tina arrives at Cholera Street, where she takes up residence and works as a prostitute.
Cholera Street
A young German engineer photographs a beautiful Turkish woman without her permission. Her husband finds out and starts a fight. In the midst of the argument the German engineer accidentally kills the husband.
Berlin in Berlin
A married civil servant with children, who is of moderate means, sees a woman at a window one day on his way to work and is attracted to her. The woman is married to a banker who is slightly older than her. The woman and the man gradually get to know each other and talk. After a while, the man has to go to Marmaris for work.
Suçumuz İnsan Olmak
It is a dramatic story of two boys and a girl who fight for their life when their father dies.
Öksüzler
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Bizim Ev
Turkey in the 1960s and 1970s was one of the biggest producers of film in the world. In order to keep up with the demand, screenwriters and directors were copying scripts and remaking movies from all over the world. This documentary visits the fastest working directors, the most practical cameramen and the most hardheaded actors to have a closer look into the country's tumultuous history of movie making.
Remake, Remix, Rip-Off: About Copy Culture & Turkish Pop Cinema
A neighborhood story with loves and fights.
Hicran Sokağı
No description available.
Yarın Artık Bugündür
Sadık Pasha is a pleasure-loving and pious pasha who lives in a luxurious Ottoman mansion with his three wives. The balance of the mansion, already full of intrigue with three women, is completely disrupted when he wants to take a fourth wife, thinking that he needs to continue his lineage because he has no children.
Four Women in the Harem
Sabit spends all his time in a shabby, old neighborhood cinema that shows pornographic films. The cinema is his home, his universe, his everything. This place is a different world because, in addition to all this, there are different types of people who frequent the cinema. Drunks, smokers, heroin addicts, gamblers, and perverts live in different worlds. These are the types of people we might encounter in the novels of Dostoevsky, Bukowski, or Kafka. One day, when manager Celal quits his job, the cinema owner assigns Sabit the task of bringing films from the film companies in Beyoğlu. Sabit sees Zerrin Öz, once a sex symbol at the film company, and becomes obsessed with her. He stalks her obsessively, constantly watching her and calling her on the phone. This obsession will lead him into a dangerous adventure.