Jay Bulger

The seemingly casual reunion of three old friends at an out-of-the-way repair shop masks a hidden agenda fuelled by the arrival of a privileged young yuppie.

Margaret Rockland is as depressed as the ubiquitous Christmas carols are cheerful when she returns to the Washington DC suburb of her childhood for a reunion. The wild bunch she grew up with have settled into respectable family life. Adding insult to injury, her former boyfriend is engaged to the most bourgeois blonde on the East Coast. Margaret reacts by diving into a drinking and drugs marathon. With two remaining fellow souls, she roams the suburban no man’s land and ends up in an incomparable adventure with kidnapping, extortion, misunderstandings and clumsy violence as basic ingredients.

As boxing's popularity wanes, three fighters at different stages of their career make sacrifices to pursue their dreams of becoming champions.

Ginger Baker is known for playing in Cream and Blind Faith, but the world's greatest drummer didn’t hit his stride until 1972, when he arrived in Nigeria and discovered Fela Kuti's Afrobeat. After leaving Nigeria, Ginger returned to his pattern of drug-induced self-destruction, and countless groundbreaking musical works, eventually settling in South Africa, where the 73-year-old lives with his young bride and 39 polo ponies. This documentary includes interviews with Eric Clapton, Steve Winwood, Carlos Santana and more. Beware of Mr. Baker! With every smash of the drum is a man smashing his way through life.

"We Are" chronicles Penn State's path from the 2011 scandal that resulted in the removal of a statue of legendary coach Joe Paterno to the design of its community-encompassing replacement. Sculptor Jonathan Cramer, a Penn State alum, drew inspiration for its creation from the 1948 PSU football team that overcame racial adversity with the still-used mantra "We Are Penn State."

The true story of Hunter S Thompson's curious, bizarre and entertaining run to be sheriff of Pitkin County in the 1970s.

In the era of Internet hyper-connectivity, four friends order drugs online, only to reveal how disconnected they really are.

In 1959, expatriate American writer Paul Bowles published Their Heads Are Green, Their Hands are Blue, a collection of travel essays largely drawn from a three-year journey through Morocco to meet the country’s tribes and record their music. Fifty years later, directors Karim Debbagh and Jay Bulgur retrace his steps, capturing many of the same pieces of music – which are handed down from one generation to the next – on film. A mysterious soundscape of musical rituals, dealing with fertility, birth, circumcision, grief, coming of age, marriage, divorce, life, death and art, it is both a historical record and, thanks to the elevating nature of the music, food for the soul.