Acting
Housewife Yoko is paranoid after being attacked by someone.
The story of an angel who encounters a series of men in a public toilet. A fable about identity.
Three social outcasts who live near the seaside interact with each other in increasingly disturbing ways. The trio of characters are a woman who has killed her sister, a man who enjoys necrophilia, and a female amnesiac. The first woman engages in sadistic pursuits such as capturing young women at the beach to force them to engage in sexual activities, including copulation with a horse and a dog.
This is a story about coming of age, coming out and a gay marriage that is sprinkled with both love and comedy, at the centre of which is a teenager who doesn’t yet know what he wants.
On the edge of a small ocean town, there stands a small establishment called “Do-re-mi”. Three prostitutes, Sora, Shido, and Rei work here. They live together with the owner of the place, Kaname Toki in an at-home environment. Lately, Kaname’s kohai, Fuwa has been coming by frequently. Seeing Fuwa, who has lost his ability to get hard, Kaname’s father Minami invites him to the establishment to try to stimulate him. His partner is Shido, who has had an interest in Fuwa, however, Fuwa’s expression remains stiff. The reason for this is that the mayor of the town is leading a redevelopment movement, and Kaname’s establishment is in an area that needs to be evicted. Fuwa has been in charge of the eviction and is thus troubled. Shido finds out about his situation and the shop’s upcoming fate. Meanwhile, Kaname proposes to Sora and she begins to have feelings for him. Both parties are at a crossroads…. what will they choose?
The tale follows the intentional non-adventures of quiet Tachibana (Takeshi Ito), a Tokyo drifter who has worked in a suburban sausage shop for several years without forging any real friendships.
Minoru is dead. However, he was conscious for some reason and could not hide his confusion and surprise. His body doesn't move and he has no senses, but only his ears can be heard. The voice of his son and his wife, who lived together, made him wonder if he was going to night and died in a pitiful way. Even though it was a night out, his liquor-loving boy had removed his squirrel. Her son's daughter-in-law, Maya, came to Minoru, who couldn't yell at him and was amazed. She thought she was a well-made bride and wasted on her son. It also has a sexual meaning. Eventually, I heard the voice of an unknown man, different from her son. Maya called the man "Mr. Matsuda" and began to roar beside his body, uttering a hailless voice. Minoru's desire to see opened her one eye a little. But by that time things were done.
Yuji is an engaged businessman, who decides to grope Asuka, a pretty young girl, on a busy Tokyo commuter train. The cheap thrill turns expensive as Yuji discovers she took this opportunity to steal his wallet. Later on, Asuka finds Yuji and approaches him with an indecent partnership proposal. This film is another quality installment from the Chikan Densha Groper Train series – the longest running film series in the world. (Over 500 Groper Train films have been made!)
The film depicts Nagatoshi, a monk, who is mistaken for the reincarnation of a hero in a small mountain village who looks exactly like him, and who rebels against the government together with the farmers. Unlike its predecessor, which was a period drama in style, this film is more contemporary, incorporating issues such as corruption at a general contractor. The dynamism of the farmers' revolt, with its mass mobilization of extras, is also a highlight of the film.
Yuu is living with her horse Ryusei on the edge of the sea. One day a young researcher and three artists arrive and they disturb Yuu's quasi-telepathic relation with a horse.
After losing her husband, Terumi, in the earthquake disaster, Namiko lives alone in Tokyo. To ease her loneliness without Terumi, she repeatedly has fleeting encounters with men from her company. Though she may have given in to his body, her heart will always belong to Terumi. One day, Namiko is reunited with Terumi's mother, Fuku, at his grave.
Yasuko and Shizuka, friends and coworkers, come to be so much more after a terrible incident involving Shizuka’s boyfriend. After an intense fight that left Shizuka with a black eye, she takes her revenge by bludgeoning her boyfriend in the head, leaving his lifeless body on the bathroom floor. Yasuko pledges her support to Shizuka and tells her its all going to be ok, and that she will help take care of the body. The two women share a bed while staying with Yasuko’s sister, and things start to get hot and heavy.
Nagano has had a sickness of the heart for 40 years and has been hospitalized at the mental hospital in Fukushima. However, during the evacuation when the Great East Japan Earthquake hit on March 11, 2011, knowing that he’s already completely healed, he makes his way back out to into the world. Having been hospitalized from when he was in his teens until his fifties, his story is like that of Urashima Taro, the Japanese fisherman who went beneath the sea as a young man and returned to an unfamiliar world. However, his heart from long ago is for the first time full of feelings to meet the woman he loved. Before long, Nagano learns that the woman has taken refuge in Tokyo and lives with her son and his wife, and sets out on a bike headed for Tokyo.
A high-school girl with paranormal abilities becomes the center of a bizarre cult which believes her to be a divine idol. In fact, she's a maniac, prowling the streets with a male slave to rape and murder innocent victims.
Under the studio lights, novice AV actress Megu steps onto the set for her very first lead role—heart pounding, pulse racing, body flaming. Director Okita hovers close, offering meticulous guidance on every breath, every sigh… yet Megu’s inexperience with men leaves her trembling with doubt. As the shoot drags on, Okita’s phone buzzes with a chilling call from his wife Kaori, demanding a divorce—yet he coldly brushes her off, insisting this is no time for personal distractions. With the camera rolling on Megu’s intense masturbation scene, Okita’s mind drifts to memories of sex he had with his lover Natsuko, heat flaring as he recalls every scandalous detail. Finally, the crazy masturbation scene wraps up, and Megu joins the male performer in a hot sex break. Patiently, Okita coaches her through the art of giving a satisfying blowjob—showing her the gentle curve of technique, the soft rhythm of giving—until Megu’s cheeks flush and her confidence ignites like a blazing fire…
Indie film by Fujiwara Sho, 2001.
Pink film directed by Kunihiko Matsuoka.
Rie, who moved to Tokyo from a rural mining town and is penniless after being cheated by her boyfriend, enters the world of underground wrestling by chance. This is a ridiculous ensemble drama inspired by Shinji Somai's "Luminous Woman" and incorporating the setting of "Tomorrow's Joe" (Ashita no Joe). Starring Aya Mizutorigawa, an idol of the pink film industry at the time.
A love story in the style of a psycho-thriller, depicting the relationship between a female police officer who continues to have an affair and the men who surround her, along with the progress of a bizarre incident. Due to various circumstances, the theatrical release was postponed and the work announced as OV was released to the public at a special screening at the Kamemei Painting Theater in Tokyo.
Kumiko, who goes to a culture center with her husband's permission, has fallen prey to the instructor, Oikawa. Akiko, who also attends the same class, is single but also has a physical relationship with Oikawa. When Akiko finds out that Oikawa is also having an affair with Kumiko, she quits the class and starts a relationship with Kumiko's husband...
