Wajdi Mouawad

A mother's last wishes send twins Jeanne and Simon on a journey to Middle East in search of their tangled roots. Adapted from Wajdi Mouawad's acclaimed play, Incendies tells the powerful and moving tale of two young adults' voyage to the core of deep-rooted hatred, never-ending wars and enduring love.

A woman is suspected of her husband's murder, and their blind son faces a moral dilemma as the sole witness.

In the fifties, young Alice leaves her natal Swiss mountains for the sunny and vibrant shores of Beirut. She falls madly in love with Joseph, a quirky astrophysicist intent on sending the first Lebanese national into space. Alice quickly fits in among his relatives, but after years of bliss, the civil war threatens their Garden of Eden.

Still Burning tells the unexpected reunion in Paris in June 1998 of André, a Lebanese filmmaker living and working in France, and Walid, the very close friend he has not seen for years. In their youth, in Beirut, during the civil war, they were both possessed by the same artistic vocation: Cinema, but also by the same woman: Amira. Their reunion, all night long, will not fail to awaken their old repressed demons for better or for worse.

His father's untimely death sends young Wahab into an intense turmoil. Shaken by family feuds and what he discovers, he decides to bury his father in his native Lebanon. But the idea will prove no less trying in a country scarred by war where a new corpse is one too many.

This documentary recounts filmmaker Pierre Sidaoui’s immigration journey from the small Lebanese town of Abey to Montreal, the city he now calls home. Sidaoui had a carefree childhood, but civil war forced him and his family to flee Lebanon in 1982, the first in a series of moves that would ultimately separate him from his parents, brother and sisters. Two decades later, Sidaoui pauses to reflect. His precious family photos, carefully kept in a shoebox, bring forth a flood of memories - of family, landscapes, music and war. A touching meditation on the pursuit of happiness and the immigrant experience.

In Wajdi Mouawad's "brilliantly involving" new Paris Opera production of Debussy's only opera, Pelléas et Mélisande, French soprano Sabine Devieilhe is "as near to perfection as one might wish for: a voice of exquisite beauty and sung as if the role [of Mélisande] had been written especially for her" (Opera Today) and Huw Montague Rendall, as Pelléas, projects a "faultless French phrasing, endowing [Pelléas] with the perfect blend of freshness and candor" (Bachtrack). Based on the classic symbolist play by Maurice Maeterlinck that the composer found to contain "far more humanity" than realism, Pelléas et Mélisande sets a tragic love triangle against some of Debussy's most soaringly dramatic music, all its Wagnerian flourishes brought out by Antonello Manacorda and the Paris Opera Orchestra.

The Pygmalion Ensemble, led by conductor and countertenor Raphaël Pichon, is renowned for its refined sound on period instruments. Together with vocal stars Sabine Devieilhe, Lea Desandre, Johannes Martin Kränzle, Julian Prégardien, and Daniel Behle, the ensemble delves into rarely performed works by Wolfgang Amadeus Mozart.

Brazilian adaptation of Wajdi Mouawad's "Incendies," based on parts of the life of the Lebanese communist militant Soha Bechara.

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