Luca Salsi

The corsair Corrado, having taken refuge on an island in the Aegean Sea, decides to launch an expedition against the Muslims, during which he is taken prisoner. Gulnara, the favorite of Pasha Seïd, falls in love with Corrado and helps him escape after murdering Seïd herself. Meanwhile, Medora, Corrado’s beloved, has poisoned herself upon hearing the false news of her lover’s death. She dies in the arms of her lover, who has returned too late. Corrado, in despair, throws himself into the sea, while Gulnara collapses, overcome by grief. “Il corsaro” is a lyric drama (“melodramma tragico”) in three acts by Giuseppe Verdi, with a libretto by Francesco Maria Piave, based on Lord Byron’s poem “The Corsair.” It premiered on October 25, 1848, at the Grand Theatre in Trieste. The opera was taken off the bill after three performances and replaced by “Macbeth.” From the “Tutto Verdi” box set of 27 Verdi operas. Recorded live at the Teatro Regio in Parma on October 19 and 21, 2008.

To open its 2019-2020 season, La Scala in Milan has chosen Tosca, in a new production directed by Davide Livermore. The production is part of the rediscovery of Italian opera led by Riccardo Chailly, the conductor of the production and music director of La Scala. He has chosen the original version of Tosca, as created by Puccini in Rome in January 1900, which included eight "additional musical inserts" that were removed from the work after its second performance in Turin in February 1900 and will now be rediscovered for the first time on December 7 at La Scala.

It's an event that draws many thousands of music lovers to one of the most beautiful cities in the world every summer: the opera season at the ancient Arena di Verona. The 2,000-year-old roman amphiteatre with its gigantic stage dimensions is one of the largest and best preserved Roman construction of its kind, and with over 22,000 seats it is undoubtedly one of the most spectacular open-air venues of the world! The revered master of opera Franco Zeffirelli, who died shortly before the premiere of Il Trovatore, created a legendary scenery with groups of giant sized armoured knights, a fortress turning into a luminous cathedral, an enormous choir, horses, breathtaking fights: “his perhaps best arena production” (Opernglas). It brings Anna Netrebko to the Arena of Verona where she is giving her much-anticipated debut in one of Giuseppe Verdi’s most popular operas.

In England, at Windsor during the reign of Henry IV of England (1399–1413). Sir John Falstaff, also known as ‘Il Pancione’ (the Potbelly), has two identical love letters sent out, one to Meg Page and the other to Alice Ford, then delivers a sarcastic lecture on honour to his servants Bardolfo and Pistola. In Ford’s garden, his wife Alice and her friend Meg notice the similarity between Falstaff’s letters and decide to take revenge on him by pretending that Alice is receiving him at home whilst Ford is away. ‘Falstaff’ is a three-act opera buffa by Giuseppe Verdi, with a libretto by Arrigo Boito, based on Shakespeare’s ‘The Merry Wives of Windsor’ and ‘Henry IV’, Parts I and II. It premiered on 9 February 1893 at La Scala in Milan and on 18 April 1894 at the Opéra-Comique in Paris. It was the last opera composed by the composer, then aged 80. Taken from the 27-opera Verdi box set “Tutto Verdi”. Recorded live at the Teatro Regio in Parma on 10, 12, 15, 22 and 25 October 2011.

As per tradition, the 2021/22 season opened in December at La Scala in Milan, this time with a new production of Giuseppe Verdi's 'Macbeth' directed by Davide Livermore and conducted by Riccardo Chailly. Verdi's Shakespeare drama features a star-studded cast: Anna Netrebko and Luca Salsi embody the regicide Macbeth and his lady.

Soprano Nadine Sierra stars as the self-sacrificing courtesan Violetta—one of opera’s ultimate heroines—in Michael Mayer’s vibrant production of Verdi’s beloved tragedy. Tenor Stephen Costello is her lover Alfredo, alongside baritone Luca Salsi as his disapproving father and Maestro Daniele Callegari on the podium.

Passionate and unconditionally dedicated, Anna Netrebko makes her Salzburg Festival debut as Aida, alongside Francesco Meli as Radamès and Ekaterina Semenchuk as her rival Amneris. Conducted by none other than Verdi expert Riccardo Muti. This performance of Aida is the first operatic staging by award-winning Iranian filmmaker, photographer and video artist Shirin Neshat, known for her critical explorations of gender roles and religious fundamentalism.

Madam Butterfly is without doubt Giacomo Puccini's most beloved and performed opera, an opera that has captivated and touched the audiences of the whole world. This production was filmed in Torre del Lago, in the open-air theatre on the shores of the peaceful Tuscan lake where Puccini liked to retreat.

Premiere of the 23/24 season at the Teatro La Scala of Milan, broadcast live. The story of Verdi's opera is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain.

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Andrea Chénier, Umberto Giordano's masterpiece, a title that opens the Piermarini's 2017/2018 opera season, returns to La Scala in Milan after a 32-year absence. A highly anticipated event, not only because of the debut in the role of Magdalena by superstar soprano Anna Netrebko (thus marking her third season opener at La Scala, following 2011's Don Giovanni and 2015's Giovanna d'Arco) but also because of the La Scala debut of Yusif Eyvazov (Mrs. Netrebko's spouse, who has been keeping the Piermarini's gallery apprehensive for months now) and for the new direction signed by Mario Martone, who with Margherita Palli (composer of the sets) return to La Scala's handling of an opera by Umberto Giordano, after the success in May 2016 of their Cena delle Beffe.

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Power struggles among rival families in 14th-century Genoa, a story of tragic love, a young girl gone missing… Verdi’s Simon Boccanegra combines the perfect ingredients for gripping dramatic opera with a strong political message. On the stage of the Salzburg Festival, this sharp critique of power set to music is brought to life by the voices of Luca Salsi, Marina Rebeka, René Pape, Charles Castronovo, and others, who join the exceptional Valery Gergiev for a captivating performance.

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Royal Opera House, Covent Garden, London Live showing of Verdi's Traviata with subsequent re-screenings Violetta, a Parisian courtesan suffering from tuberculosis, is throwing a party to celebrate her recovery. A young nobleman, Alfredo, plans to attend, and has long been in love with Violetta. Before long, Violetta has fallen for him as well, but Alfredo's father disapproves of their relationship. He convinces Violetta to leave Alfredo for the sake of his family's image, not realising how ill she really is. Richard Eyre's production of 'La Traviata' immerses the audience in the indulgence of 19th Century Paris, a vivid setting for Verdi's famous score.

Live broadcast of Verdi's opera starring Luca Salsi, Erwin Schrott and Sondra Radvanovsky.

Live performance at Teatro Regio di Parma, April 15-26, 2011.

An extraordinary event marking the run-up to the opening of the Rome Opera House for the 2025/2026 season and celebrating the 125th anniversary of *Tosca*.

After a supernatural prophecy and at the urging of his wife, a Scottish lord kills the king and claims the throne. Fearful of being found out, he leads a reign of terror against his people. Shakespeare’s plays provided Verdi with lifelong inspiration, and Macbeth was the first that he adapted for the operatic stage. Teatro la Fenice opens its 2018/19 season with this new production, directed by Venice’s own Damiano Michieletto, who creates a dreamlike world full of imagination and hallucinations.