Veljko Bulajić

In January 1943 the German army, afraid of an Allied invasion of the Balkans, launched a great offensive against Yugoslav Partisans in Western Bosnia. The only way out for Partisan forces and thousands of refugees was the bridge on the river Neretva.

This eye-opening and bittersweet chronicle of the Yugoslavian film industry recounts how the cinema was used—often with direct intervention from President Josip Broz Tito—to create and recreate the young nation’s history, replete with heroes and myths that didn’t always hew closely to reality.

A war drama about a German officer's search for a priceless art collection.

The film is set in mid-16th century, at a time when the entire eastern Mediterranean is dominated by two great empires, the Ottoman Empire and the Republic of Venice, with the small but wealthy maritime republic of Ragusa (modern-day Dubrovnik) managing to maintain its independence through diplomatic agreements.

An historical depiction of the events preceding the political murder of Archduke Franz Ferdinand, would-be emperor of the Austro-Hungarian throne, in Sarajevo on June 28th, 1914.

The recollections of Yugoslavian president-for-life, Josip Broz 'Tito'.

The story about colonization of poor Dalmatian peasants to the fertile Pannonian plain shortly after WWII.

Oleg Vidov — one of the Soviet Union's most beloved actors — was persecuted, blacklisted and pushed to the breaking point before escaping to the West and achieving the American dream.

The 1983 theatrical film of the same name reedited into a three part mini-series.

This WW2 epic was one of the last movies of that kind made in former Yugoslavia. It tells the true story of great transport of Partizans from Vojvodina to Bosnia in 1943.

At a church in the country, eternally optimistic John marries Maria, his Atomic War Bride, as a war starts, planes buzz overhead and bombs start dropping. Though John is "mobilized" by the military seconds after the ceremony, he and Maria seek to be reunited.

Film The Other Side of Welles portrays the life, work and intellectual heritage of Orson Welles in Yugoslavian federal unit "Socialist Republic of Croatia". Through the period of 25 years, he appeared as actor in several co productions made in Croatia (David and Goliath, Tartars, Austerlitz) - acted in few Yugoslavian film (Battle of Neretva, The Secret of Nicola Tesla) and directed two of his own film: The Trial and The Deep. As a Hollywood maverick, in Croatia he often found his shelter. Through the never before seen archive materials and the interviews with the people who worked with him, directors of this film, in the 90th anniversary of his birth and 20th of his passing, reveal the other side of Orson Welles

A documentary about the history of Yugoslavian Film Festival in Pula and ex-Yu cinema in general. Many legends of ex-Yu cinema were interviewed here.

After WW II many young people arrive to Zagreb, among them a young worker Sonja Kacar. She is supposed to participate in the construction of the first generator in the Rade Koncar factory. Because there aren't enough experts and materials in Yugoslavia, the factory counts on help from fellow communist countries, Czechoslovakia and Soviet Union. However, after the Inform Bureau's resolution this help is no longer available. Sonja experiences a great intimate disappointment because Stjepan, who she is in love with, supports Stalin.

After the murder of the Russian Emperor Peter III, who was succeeded by Empress Catherine, Satan decides that the balance between good and evil on Earth has been destabilized. In order to set things right, he sends his representative to Earth - the teacher Farfa, who bears an unusual resemblance to Peter III. His mission is to seize power from the old Duke of Montenegro, and then to take back the Russian throne as Peter III. The people of Montenegro accept Farfa as their new leader, and he proclaims himself the new Emperor, Scepan Mali, successfully resisting an invasion by the Turks. Farfa is touched by the Montenegrins' kindness and courage, falls in love with the beautiful Elfa, and fails to follow Satan's plan. Not one to be crossed, Satan sets out to kill him.

Settlers from infertile parts of Yugoslavia, arrive to rich Slavonia and Baranja. There they are faced with the decree of the Communist government by which they will be left without the land that they received in the process of collectivization just a year ago. The peasants fiercely resist the government's decision. Milisa Matic is a peasant who fights against the establishment of peasant cooperatives because in that case many peasants would lose their newly acquired land. The Communist government has decreed the founding of cooperatives and Markan Radisic is in charge of their establishment. When Markan's son proposes to Milisa's daughter, the two men confront each other. In self-defense Markan kills Milisa, however the national court fails to find mitigating circumstances. On the way to prison he listens to the news on radio about the abolition of agricultural cooperatives.

Four partisans in the mountains and suffering from typhus are slowly destroyed.

In June of 1942 Germans and their collaborators decide to get rid of partisans and their stronghold in the woods of Mount Kozara in Northern Bosnia. They encircle the mountain and begin the mop up operation. Out gunned and outnumbered the partisans must not only take care of themselves but try to protect thousands of refugees too.

Farmers and their families, engineers, technicians, criminals and prostitutes were acquired on the construction of industrial facilities in Zenica. Siba tries to help them, working with dedication and love that goes beyond his duty. It is difficult to satisfy everyone and achieve more in this scorching city and Siba makes mistakes, carried by desire to achieve the impossible. With great effort, the builders manage to overcome the maelstrom after the dam burst, and while the first iron runs from the new furnace, Siba, dismissed because of errors committed, leaves a boom town of Zenica.

"Skoplje '63" is a 1964 Yugoslavian documentary film directed by Veljko Bulajić about the 1963 Skopje earthquake (Skoplje, per film title, is the Serbo-Croatian spelling of Skopje). The filming started three days after the earthquake and lasted for four months. After that, Bulajić spent 12 months editing the footage at Jadran Film studios.