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Michał Leszczyłowski

Editing

Biography

Michał Leszczyłowski (born July 30, 1950) is a Polish-born naturalised Swedish film editor who has worked mostly in the Swedish film industry. He has won several awards, including a Guldbagge Award for Creative Achievement in 1989 and a Jussi Award for Best Editing for his work on Fire-Eater in 1999.

Known For

Beck
6.8

Beck follows Swedish police officer Martin Beck and his team as they investigate various crimes.

Beck

1999
The Guldbagge Awards
5.5

The Guldbagge Awards is an official and annual Swedish film awards ceremony honoring achievements in the Swedish film industry. Winners are awarded a statuette depicting a rose chafer, better known by the name Guldbaggen. The awards, first presented in 1964 at the Grand Hôtel in Stockholm, are overseen by the Swedish Film Institute. It is described as the Swedish equivalent of the Academy Awards. The awards ceremony was first televised in 1981.

The Guldbagge Awards

1981
Lilya 4-ever
7.6

In a struggling post-Soviet community, Lilya a teenage girl is abandoned when her mother moves to the United States with her boyfriend. Facing neglect and poverty, she meets Andrei, who offers her a job in Sweden, giving her hope for a better life — and a journey that will change everything.

Lilya 4-ever

2002
The Swedish Connection
7.5

Swedish Foreign Ministry bureaucrat Gösta Engzell, overlooked during WWII, rescued thousands while turning supposedly neutral Sweden into a moral force. His efforts challenged the status quo and left a lasting humanitarian legacy.

The Swedish Connection

2026
Show Me Love
7.1

Two teenage girls in small-town Sweden. Elin is beautiful, popular, and bored with life. Agnes is friendless, sad, and secretly in love with Elin.

Show Me Love

1998
Liv Ullmann: A Road Less Travelled
7.7

The life of a Norwegian icon, a world-renowned artist and a dedicated humanitarian: actress Liv Ullmann.

Liv Ullmann: A Road Less Travelled

2023
The Sacrifice
7.7

Alexander, a journalist, philosopher and retired actor, celebrates a birthday with friends and family when it is announced that nuclear war has begun.

The Sacrifice

1986
Aniara
6.1

A ship carrying settlers to a new home on Mars after Earth is rendered uninhabitable is knocked off-course, causing the passengers to consider their place in the universe.

Aniara

2019
Miss Julie
5.6

Over the course of a midsummer night in 1890s Ireland, the unsettled daughter of the Anglo-Irish aristocracy encourages her father's valet to seduce her.

Miss Julie

2014
Together
7.0

Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.

Together

2000
Kopps
6.4

A small Swedish village, Högboträsk, is so peaceful that crime is nonexistent. The police spend their shifts drinking coffee, eating hot dogs and chasing down runaway cows. This is all well and good for the village's own police, but the police management board wants to discontinue the local police force for lack of crime.

Kopps

2003
King of Devil's Island
7.1

Norwegian winter, 1915. On the island Bastøy, outside Oslo, a group of young boys aged 11 to 18, are held in an institution for delinquent youth, notorious for its sadistic regime. One day a new boy, Erling, arrives, determined to escape from the island. After a tragic incident, he ends up leading the boys in a violent uprising. When the boys manage to take over the island, 150 soldiers are sent in to restore order.

King of Devil's Island

2010
Mammoth
6.2

When Leo travels to Thailand on business, he unwittingly sets off a chain of events that will have dramatic consequences for everyone.

Mammoth

2009
Into the Darkness
6.1

Karlskov is a self made, successful owner of a large electronics factory, has a wife and five children. They live the good, privileged upper-class life on Strandvejen north of Copenhagen when the Nazis occupy Denmark in April 1940. Karl struggles to continue production at the factory, but to protect his family and employees he reluctantly begins to produce for the German market. It brings him into a controversial collaboration with the occupying power and causes painful breaks in the family.

Into the Darkness

2020
Árru
N/A

Sámi reindeer herder Maia fights to protect her ancestral lands from a looming mining project. Amid the growing protests, she is also confronted with deeply buried family traumas. Maia is forced to make a decision.

Árru

2026
Light Keeps Me Company
7.9

Carl-Gustaf Nykvist's documentary about his father, Sven Nykvist. The film is based on Sven's memoirs with Sven himself as narrator. A journey to the place of birth, Moheda, constitutes the hub of the film and during the journey friends and memories emerge. Written by Fredrik Klasson

Light Keeps Me Company

2000
The Best Man's Wedding
6.2

Roro, a foreign worker in Swedish parks, loves his girlfriend but is about to marry another girl to prevent her from being sent back to Lebanon. Meanwhile, Roro's best friend, Måns, has serious problems getting an erection.

The Best Man's Wedding

2000
We Are the Best!
7.0

Three girls in 1980s Stockholm decide to form a punk band—despite not having any instruments, and being told by everyone that punk is dead.

We Are the Best!

2013
One Day in the Life of Andrei Arsenevich
7.2

Chris Marker’s portrait of Russian filmmaker Andrei Tarkovsky documents the director at work on his final film, The Sacrifice, during the last year of his life. Interweaving behind-the-scenes footage with excerpts from Tarkovsky’s earlier works, Marker crafts a moving reflection on the artist’s vision, methods, and enduring legacy.

One Day in the Life of Andrei Arsenevich

1999
Directed by Andrei Tarkovsky
7.6

This documentary offers a rare glimpse of the legendary Soviet filmmaker, Andrei Tarkosvky, at work. Tarkovsky made only seven films in his brief, but brilliant, career; Michal Leszczylowski's respectful movie chronicles him at work on his last film, The Sacrifice. Offering insight into Tarkovsky's working methods and transcendental aesthetics, the movie is a compelling account of the difficulties of film production. In the case of an uncompromising and visionary filmmaker like Tarkovsky, the practical problems of filmmaking are only magnified, as cast and crew struggle to realize the ambitious concepts in Tarkovsky's mind.

Directed by Andrei Tarkovsky

1988