Camille O'Sullivan

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A group of young men and women in Dublin in 1916 are embroiled in a fight for independence during the Easter Rising. The story begins with the outbreak of World War I. As expectations of a short and glorious campaign are dashed, social stability is eroded and Irish nationalism comes to the fore. The tumultuous events that follow are seen through the eyes of a group of friends from Dublin, Belfast and London as they play vital and conflicting roles in the narrative of Ireland's independence.

Recently widowed well-to-do Laura Henderson purchases the Windmill Theatre in London as a post-widowhood hobby. After starting an innovative continuous variety review, which is copied by other theaters, they begin to lose money. Mrs Henderson suggests they add risqué burlesque acts similar to the Moulin Rouge in Paris.

The Newlyn School of artists flourished at the beginning of the 20th Century and the film focuses on the wild and bohemian Lamorna Group, which included Alfred Munnings and Laura and Harold Knight. The incendiary anti-Modernist Munnings, now regarded as one of Britain's most sought-after artists, is at the centre of the complex love triangle, involving aspiring artist Florence Carter-Wood and Gilbert Evans, the land agent in charge of the Lamorna Valley estate. True - and deeply moving - the story is played out against the timeless beauty of the Cornish coast, in the approaching shadow of The Great War.

Val Barber, a private investigator, is hired by a wealthy widow to find her missing granddaughter. Set in Dublin against the background of a global pandemic, Barber’s initial investigation into Sara’s disappearance quickly darkens. Secrets start surfacing in unexpected ways. Before too long, Barber finds himself entangled with powerful men of shady morals determined to thwart his investigation. Has he bitten off more than he can chew?

A suicidal young man is committed to a Dublin psychiatric hospital where he meets new friends who greatly influence his life.

In a fictitious trial, twelve members of a jury must decide whether journalist Ian Bailey is guilty of the 1996 murder of French filmmaker Sophie Toscan Du Plantier. Based on real events, the film reconstructs, through the discussions between these twelve people, a case that ultimately invites the viewer to draw their own conclusions.

Six people on the verge of a breakdown decide to check themselves into an insane asylum, only to discover there is just room for one.