Pedro Santos

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Fictional documentary about the cultural heritage of Porto Alegre, based on texts by Erico Verissimo, Dyonélio Machado, Saint-Hilaire and Souza Brandão. The historic buildings of the center are shown through the eyes of two characters who move through the city that changes and the city that remains.

Thirty-eight years after the 1950 World Cup, a man went back in time to prevent the goal that defeated Brazil, destroyed his childhood dreams and ended goalkeeper Barbosa's career.

Dorival, a man in jail, has only one wish: to take a bath. To achieve his objective, he defies the private, the corporal, the sargeant and, finally, the lieutenant in charge of the prison.

Portrays the figure and work of teacher Arnold Taraborrelli, who has dedicated his life to dance, theater and teaching. A visual tour narrated in first person statements from friends.

Four students live in an urban community, where, in principle, everything can be discussed, divided, shared: each one's allowance, personal objects, relationships, political commitments. But things start to change with the arrival of a fifth resident, older and disillusioned, who puts in check the capacity of each one to live according to their ideas.

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A group of artisans sell handmade wallets, belts, bags and sandals at Rua da Ladeira, but the production is disorganized. A young businessman decides to invest in the boys, divides them into work groups and decreases their resting hours. In return, he offers them a great place to live. Their “industry” starts to make a profit, but those who work continue to earn very little.

Deu Pra Ti Anos 70 is a Brazilian film, shot in super-8 in 1981 in the city of Porto Alegre. It tells the story of the meetings and disagreements between Marcelo and Ceres through the 1970s, in bars, dance meetings and camps. It has the special participation of artists who would become important in the gaúcho music scene, such as Nei Lisboa, Júlio Reny, Augusto Licks, Wander Wildner and Carlos Gerbase. It was the first film by actor Werner Schünemann.

Two straight (but not really) guys invite two naive (but not really) prostitutes for a night of sex. In the preliminary conversations, a little poetry, a lot of philosophy and heavy doses of vulgarity, all with Beethoven in the background. But when it comes to sex, the truth comes out.