Lucien Bataille

After serving in the trenches of World War I, Jean Diaz recoils with such horror that he renounces love and personal pleasure to immerse himself in scientific research, seeking a machine to prevent war. He thinks he has succeeded, but the government subverts his discovery, and Europe slides with seeming inevitability toward World War II. In desperation, Diaz summons the ghosts of the war dead from the graves and fields of France to give silent, accusing protest.

An ape, turned near human by Dr. Coriolis and given the name 'Balaoo', is smitten by the beauty of Coriolis' niece, Madeleine. Being inquisitive, though, he runs off, getting into mischief, and falls in with a poacher who saves his life. Acting now as his slave Balaoo kills a man for the poacher, but balks on his orders to kidnap Madeleine, deciding instead to set a trap for the poacher.

During the stagecoach trip of a frightened group of inhabitants of Rouen, Elisabeth Rousset, known as "Boule de Suif", renders these people a signal service, but comes up against their stupidity and their sufficiency. A little later, Boule de Suif assassinates the formidable Prussian lieutenant whom his friends had nicknamed Fifi and who shamelessly displayed his taste for pillage and his sadistic tendencies.

Charming Mimi-Trottin is in love with typographer Louis Chausson, nicknamed Godasse. She meets Doudou, actually a Vicomte, estranged with his parents who are rich automobile manufacturers. Godasse abandons Mimi because of his professional ambitions and Doudou rescues her from a suicide. After making peace with his parents, the young man has Mimi hired as a typist at the factory. After winning a race with one of his father's car, he soon wins the heart and the hand of Mimi.

Obsessed with a general's wife, a clergyman has strange visions of death and lust, struggling against his own eroticism.

Thematic anthology of : Le retour a la Maison (1923) by Man Ray; Emak-Bakia (1926) by Man Ray; L'Etoile de Mer (1928) by Man Ray; Les Mysteres Du Chateau de Dé (1929) by Man Ray; Rhythmus 21 (1921) by Hans Richter; Vormittagsspuk (1928) by Hans Richter; Anemic Cinema (1926) by Marcel Duchamp; Ballet Mecanique (1924) by Fernand Léger; Le Tempestaire (1947) by Jean Epstein; Romance Sentimentale (1930) by Grigori Aleksandrov and Sergei M. Eisenstein; La Coquille et le Clergyman (1928) by Germaine Dulac; Regen (Rain) (1929) by Joris Ivens and Mannus Franken

The story is about a superstitious village, where the mayor has sold a tower to an unknown, who is soon suspected of being the devil.

When the train workers go on strike, Zigoto terrorizes the town in a hijacked locomotive.

The Bread Peddler is a 1923 French silent drama film directed by René Le Somptier and starring Suzanne Desprès, Gabriel Signoret and Geneviève Félix. It is based on Xavier de Montépin's novel of the same title.

Lucien Bataille finds himself hired as a secretary to an elderly man. His principal duty is to make sure that the man's niece, Berthe Dagmar, doesn't see the young man she's interested in. No problem! Bataille finds himself assigned a spirited horse when called on to accompany the young lady in her equestrian exercises.

A woman enters a nightclub and slowly begins to open herself up.

A mine owner discovers a vein of gold but unfortunately dies. His wife doesn't want to sell the mine and so the forman decides to lock her up in a cottage with a dangerous and hungry leopard.

The film begins with the Count giving an actress a necklace. However, after her performance, the valuable necklace is missing and so the actress goes to hire some detectives to find it. I loved the strange detective agency in the film. The place had a sliding door, chains on the wall and detectives seem to magically appear out of the floor. It was very kooky but fun.

An eight part ciné-novel (episodic film) set during the French Revolution, telling the story of the Dauphin's childhood in Versailles, his life at the Conciergerie during the Revolution, and his untimely death.

Protéa is the last film directed by Victorin-Hippolyte Jasset, one of the early film pioneers in France. The hero of this film is a female spy, an acrobatic Mata-Hari, played by his favorite actress, Josette Andriot, who wore a characteristic costume of a close-fitting black jersey, two years before Musidora achieved cult status with her similar appearance as Irma Vep. This final masterpiece reflects Jasset's popular style: rhythmic action, fantastic realism, rich visuals, an anarchistic philosophy, a disdain for psychology, and an attention to lighting that earned him the nickname “the Rembrandt of the cinema". Although Jasset died shortly after completion, the film had considerable success and Andriot went on to make four more films in the series with other directors.

Once Madame Ducordon discovers the joys of a new fashionable dance, she starts performing it wherever she happens to be.

No description available.

An early Gaumont short

Directed by Henri Fescourt.

Two hearing protection product sales reps have mixed fortunes in the exercise of their trades. They first have to face a female singer who... slams her door at them! Second they try to a influence a man by giving one of his friends'name as a reference whereas the aforementioned friend is... on the spot! As for the third client, he seems to be willing to buy one of their articles until the two salesmen realize that he is... hard of hearing!