Oriol Maymó

A man and his son arrive at a rave lost in the mountains of Morocco. They are looking for Marina, their daughter and sister, who disappeared months ago at another rave. Driven by fate, they decide to follow a group of ravers in search of one last party, in hopes Marina will be there.

A television reporter and cameraman follow emergency workers into a dark apartment building and are quickly locked inside with something terrifying.

No description available.

As an American civilian truck driver working in Iraq, Paul Conroy's convoy is attacked by a group of Iraqi insurgents. Some time later, Paul awakes in a coffin with only a lighter, a cell phone, and his ever-growing anxiety. Faced with a dwindling oxygen supply and a dying battery, he must fight panic, despair, and delirium as he races against time to escape the claustrophobic death trap.

The action continues from [REC], with the medical officer and a SWAT team outfitted with video cameras are sent into the sealed off apartment to control the situation.

A pair of newlyweds must fight to survive when their wedding reception descends into chaos and carnage when their guests become infected by a virus that turns them into hungry zombies.

Ángela Vidal, the young television reporter who entered the building with the firemen, manages to make it out alive. But what the soldiers don't know is that she carries the seed of the strange infection. She is to be taken to a provisional quarantine facility, a high-security installation where she will have to stay in isolation for several days. An old oil tanker, miles off shore and surrounded by water on all sides, has been especially equipped for the quarantine.

The harmony of a community is shattered by an allegation of sexual assault on social media that points to three teenagers as the main suspects.

The birth of the Basque terrorist gang ETA and its first attack, of which José Antonio Pardines, a Guardia Civil traffic officer, was the victim.

The horror film [REC] — directed by Jaume Balagueró and Paco Plaza, and released in 2007 — was an unprecedented triumph for Spanish fantasy cinema. Fifteen years later, those responsible for the creation and worldwide success of this cinematic milestone decode its keys and resurrect the myth.

Marisol is the national rhythmic gymnastics coach, methodical, demanding and authoritative. The World Championship is approaching and she places all her gold medal hopes on Angelica, the team's most promising newcomer. Two weeks before the final, Marisol discovers that her husband is having an affair with a much younger woman with whom she is expecting a child. Marisol does not contemplate failure, so she embarks on a desperate race to win him back, without taking into account her motives and feelings. Her pain is transferred to her tatami, where she becomes even more implacable towards Angelica, in whom she places her hopes of success. At this point, winning gold is all that's left for him.

Maria is 30 years old, she is a peculiar person and has one goal: become a normal person. But first of all she must discover what is exactly this. Which kind of person is she? Is she a normal person? What does exactly means? That question goes deeper into her mind. After she lists every requirements, she proposes to reach them. In that journey she will find her brother's help, Alex, a 25 years old boy who is mentally challenged and achieves every list requirements. She meets Borja as well, a boy obsessed with diets and lose weight. They will make a curious pact: she helps him to live an active and healthy live, and he helps her to meet her goal: become a normal person.

Cubelles, Tarragona, Spain, Christmas 1985. Five friends make an unexpected discovery in the forest: a woman disguised as Santa Claus trapped in a deep hole dug in the middle of nowhere.

Yao and Moroccan Rachid arrive illegally in Valencia, Spain, and separate. Yao sells pirated DVDs in the street and wanders disconsolately around the barrio until he glimpses divorcee Maria Luisa working in her boutique. High-strung and irritable, Maria lives with her gay son, Rober, who, like many other things in life, is a disappointment to her. Rachid, meanwhile, is doing just fine working as a hairstylist in a beauty salon; Rober is hopelessly in love with him. When Yao starts sleeping in Rober's flat, a confrontation between him and Maria suddenly becomes inevitable, and when it comes, what could have been an embarrassment is actually handled with grace.

A teenager who went missing and was presumed dead returns home after eight years to find a family deeply affected by his disappearance. Gradually, doubts arise about whether he really is the missing boy or an impostor.

Amadeu, nine years old, goes to a summer camp for the first time. The first few days are tough, but Nil, the most expert monitor, gains his trust and helps him integrate into the group. Just when Amadeu starts to feel comfortable a violent experience forces him to rebel against everything he had learned.

Laura and Luis. Two characters mired in contradiction: she wants to go back to him but attacks and rebuffs him; he doesn’t want her back, but there he is, at her place, taking off his jacket. A story of heartbreak, where a woman mistakes desire for the need to fill an endless void.

Enric Marco, ex-president of the Spain’s main deportees’ association, embarks on a car trip to Germany, a demythologising journey into his past. Two years earlier, a historian had shown that Enric Marco wasn’t the member of the Resistance he had claimed to be, and that he’d made up the stories of his experiences in a concentration camp that he had been recounting on television for years. Now, Marco retraces the route of his 1941 train journey as part of a convoy of workers sent by Franco to Hitler, in the middle of the Second World War.

Filmmaker Oliver Laxe leads his crew and a group of ravers deep into the desert to shoot his feature, Sirāt. Within the confines of his hotel room in Morocco, something unspoken lingers in his chest as Laxe opens up for a recorded conversation. As filming intensifies in the barren landscape, the film begins to inhabit those who take part.