István Bodzsár

After the Hungarian army was annihilated by the Mongols at the battle of Mohi, only the castle of Esztergom stood in the Mongolians' way of invading the rest of Europe. Batu Khan, the grandson of Genghis Khan, reaches the walls of Esztergom with his invincible troops. The castle's defenders, led by Eusebius, the canon of Esztergom, and a Spanish mercenary, Captain Simon, are preparing for the final battle. The sudden arrival of Cardinal Cesareani, the Papal Legate, coinciding with the Mongol Lunar New Year celebrations and the mystical practices of Eusebius, combine to offer the defenders a small glimmer of hope.

The series Király explores the life and tragic death of Jimmy Zámbó, one of the defining figures of the pop music scene after the regime change, mixing real events with fictional elements. Everyone knows the end of the story: the King is dead. But what led to this?

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Budapest, Hungary, Christmas 1957. The state, insecure after the defeated revolution of 1956 and increasingly put under the influence of a renewed Stalinist atmosphere, has decreed that all security officials must pass an exam to verify their loyalty. But to be actually effective in a shadowy world where suspicion and secrets reign, the subjects must be unaware that they are being tested.

Set in a large apartment in Hungary during the death throes of communism, obedient Andor lives with his eccentric mother, Rebeka, a once-celebrated stage actress-turned-recluse. After years of coexisting in a love-hate relationship marked by routine and possible incest, Andor brings home Eszter, a beautiful girl his own age. Her advances awaken Andor's repressed desires, the depths of which prove shocking. Opera director Robert Alfoldi renders this bizarre story in a melodramatic style, and veteran Hungarian stage star Dorottya Udvaros rises to the occasion. If you can imagine the intersecting area on a Venn diagram that includes Taxidermia and Sunset Blvd., that's where Where Were You, My Son? was born. The original title, Nyugalom, which translates to Tranquility, is ironic to say the least. ...over the-top...memorable...thunderous...sex and violins (Variety).

A theater director tries to put on a play with real underprivileged Roma people about their lives but, feeling advantage of, the actors leave the troupe to gain a new consciousness.

Kata, in her 20s, loses her boyfriend and her job on the same day. She's been indulging in fantasies of a more thrilling romantic life, and the cold water of being alone and unemployed doesn't entirely dampen her imagination. She's egged on by three girlfriends who get together to talk about men and sex. Kata has possibilities: she meets David, a medical student; there's Tamás, a stranger on a train who might be good for a relationship and a job. There's also Miki, her brother who's had serious drug problems. Is fulfillment within her grasp?

For two decades, Éva Janikovszky wrote her famous children's monologues, which have remained popular ever since. In some of her books, she always writes about the problems of her boy protagonist, which are related to a particular age. This is how the authors tried to fit the children's monologues "If I were an adult", "Something always happens to me" and the twin books "Be glad you're a boy" and "Be glad you're a girl" around the title work. The protagonist escapes from his life, full of commands and rules, first into the fantasy world of adulthood, then, trying to meet the challenges of going to school. Finally, he experiences the treacle of adolescence, when he is transformed from a clingy toddler into a novice, awkward adult by the conflicts of change. In Róbert Alföldi's film, children and adults play each other. The child in the adult role is very comic, and the adult relegated to the role of child is very awkward.