Kostas Tsakonas

Diomidis and Aristides embark on a road trip through rural Greece. They both confront personal dilemmas. Diomidis recently discovered his wife's infidelity, while Aristides is struggling with his directing career.

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A mysterious disappearance takes place during the shooting of a commercial on the beach in the early morning hours. An unknown man suddenly comes into the shot, then walks into the sea holding an umbrella and seizes to exist, before the bewildered eyes of the whole crew. After the police are notified, a confusing array of red tape manoeuvers begins, revealing the close affiliations of the Authorities with the advertising company manager and the whole mechanism of Mass Media, all of which are trying not to investigate the event but to conceal or even exploit it in their own interest. Only the musician involved in that commercial is trying to figure out what really happened.

This is a series of intersecting stories. A petty crook and former lover of a lazy ingénue steals the box-office receipts from the Odeon of Herodus Atticus, on the day an important football game is also taking place. There is also the story of the half-mad mother of the ingénue who refuses to put shoes on because she believes that shoes lead people astray. An eccentric grave-digger produces a two-seater coffin for couple-victims of car accidents. The film also tells the story of one of the Odeon's cleaning women and of a watermelon that goes all around the city, pursued by a tired theater technician and his sister, who is a tour guide. The impresario conducts an inquiry after the theft, but the thief and his two associates, the ingénue and the technician, use what was stolen to set up a small theatre. Small everyday stories and comic incidents combine to create a portrait of modern-day Athens.

To be horned something goes and comes, but to be daring is still ridiculous. This was also the thought of July, and in order to save the wood, as the horn is impossible, he decides to find his wife's lover himself.

Four men and one woman, possessed by a "natural need" for the law, create the NSPR (Special Body to Fight Poverty) and intervene whenever circumstances call for them. However, the driving force behind everything is the old hacker named Nikephoros A', who not only watches, protects and sometimes subtly guides his son's scandalous group, but also paves the way for the Greece of the future...

They grew up in the same neighborhood but the problems of that time had the consequence that when they were ten years old they separated and since then they have not met again. The years passed, the two children grew up and went their own way. He opened a funeral home, but feels very lonely because he has not been able to start a family of his own. She is a talented singer, who never forgot her childhood friend, who lost him so suddenly. But fate once again plays its own strange game and thus an inheritance brings them together again, after twenty whole years of separation. But in order to inherit a huge sum, they have to get married first, otherwise they lose her. So of course they get married, but as a wedding rehearsal, nothing more. But during their married life, unforeseen problems will begin to arise...

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In this highly stylized and enigmatic story, Olga uses her cello case as a weapons cache. When she isn’t using her sharpshooting skills to knock off eminent Arab visitors to Athens, she vamps around lightly clad on the terrace of her penthouse, entertaining one man after another.

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Pantelis Hatzikoutoules is a professional court witness who testifies after he is been paid.

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Uncle Julius arrives from abroad and Soula runs around in a panic. The reason is that her uncle does not know that his niece is single, so she has to introduce him to a groom to prevent him from finding out the truth. The groom is eventually found completely by chance, and the game begins...

All these years as a director and choreographer, I have a recipe. To give the world as rich sets and costumes as we can. This year the company gave all of that and more. That's why I think this job represents me. I hope the show is a success and that I can continue with more demands.

The most important political, post-military junta satire about the nation, the religion, the education, the family.

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