Albert Ståhl

Carsten Berg returns home after 15 years abroad. He gets into a fight with his father, who dies of a heart attack. Carsten must take over his fathers business. He is informed that he is suffering from an incurable disease.

A married writer's luck turns when he gets a play produced at Théâtre de Paris. He meets the femme fatale who should play the lead in his play. Passion and conflict occurs.

Three boys steal a sailboat and sail away for a summer adventure on Lake Mälaren.

After Ingeborg Holm's husband becomes sick and dies, the family's small grocery store fails, Ingeborg becomes bankrupt, and she is forced to move to the workhouse. Her three children go to foster homes. Ingeborg simply must see them again.

The criminal couple Louise Kent and Charles Zukor stages a coup in the luxury restaurant Oriental. In the midst of a dance number goes suddenly all the lights out. In the confusion that arises one of the elegant guests is deprived of her jewelry.

Gösta Berling is a young and attractive minister. Because of his alcoholism and his daring sermons, he is finally defrocked. He becomes a tutor of countess Marta's stepdaughter and they fall in love. But the countess has a plan of her own.

Lovers are torn apart by a noble's desire for the female half of the couple.

In the south of Sweden, some farmers get into trouble when the German Count is forcing them to perform day labor for him. But a man refuses to bow to the German Count.

The tragic love story between a line dancer and an army officer.

The aging Count Eric von Ure is worried about the lack of responsibility shown by his son and heir Kuno. His extramarital son Jörgen Ager is however a model of virtue, while distant relative Count Fritz also plots to be included in the will.

Louise Mareuil owns a perfume factory on the French Riviera. She is in a traffic accident with a sketch artist, Claude Dubois. She gives him a blank check which he soon use to withdraw 2 000 000 franc as a joke. Visiting her office, he returns the money and in return she hires him as a sketch artist for the company's advertisement. With his charm and wit he turns the factory upside down, to the chagrin of Louise. She is strict and orderly but soon after letting him go she begins to change her mind. Plot by Mattias Thuresson.

Greve Axel Von Rambow owns the Poppelhagen estate. One day an inspector comes to see him and a big quarrel starts.

Jonas goes with a tremendous speed with his horse over a country road in Hälsingland. Because of this speed Birgit Ljusnar, who is along the road picking blueberries, falls. Jonas stops and helps her up. He gives Birgit two Swedish crowns for the pain and the suffering. Furthermore, he promises her a job on the farm.

Fredrik Mack (Gustav Ranft) owns a glue factory in northern Norway and Ove Rolandsen (Eugen Skjønberg), a great womanizer, works for him. When Mack's beautiful daughter Elise (Lilla Bye) returns from studies, Ove immediately flirts with her.

In a small provincial town there is a hotel run by one of those eccentric cooks of long ago who made generous meals that have nothing in common with the extravagant restaurateurs of nowadays and their meagre menus. The manager is named after Alexander the Great and in his restaurant the town bourgeoisie meet and discuss various issues, especially matters of the heart. Morals are part of the conversations and prove to be complicated issues even for strict and serious Nordics. 28 minutes of runtime are missing and presumed lost.

Catherine defies her strict father and accompanies a traveling theater company. Her father picks up the daughter and as a punishment he sends her to a priest farm in the countryside.

The two conmen Bendel and Pettersson starts doing business together. Bendel got the brains and Pettersson the charm.

At the end of the middle ages, Ursula is accused of having poisoned her own husband. She claims she is innocent, but to prove it, she must submit to a ritual: trial by fire, walking on fire along a path leading directly to a crucifix. A film that has been much commended for the visual creativity shown by the director in successive blending in of images involving Ursula, her husband, the Virgin Mary, and Jesus Christ. Much applauded, also: the performance of Jenny Hasselqvist, thus described by French director René Clair: “We shall never forget her flaming eyes, the severity of her spirit, her abrupt and alarmed expressions, like an animal under threat.”

The story is wacky – a gypsy is cursed by her father, so that she has to deny her illegitimate son in order for him to have a successful life. She gives him to a well-to-do lady who has lost her own child. Later, he has grown up to be a politician who wants to become the foreign minister. He doesn’t know that his real mother is the famous Madame de Thebes, the fortuneteller who all politicians make sure to visit! This information falls into the hands of a rival, who tries to use it to ruin his career. Meanwhile, the rival’s attractive daughter is attacked by a ruffian and needs to be rescued… There are a lot of striking images in this film. You can see the beauty of them even if the state of the print is far from perfect. The Norwegian actress Ragna Wettergreen gives a haunting performance as Madame de Thebes, with wisdom and regret – and quite a few melodramatic gestures. Understatement was not the norm in those days.

Katja is about to graduate, but she has nothing to wear for the graduation ball. Her father, the eccentric inventor Carl Axel Kock does not spend much of his income on Katja while her brother Curry gets everything he wants. So on the day of the ball, Katja simply dresses up in her brother’s brand new evening attire and attends the dance, smokes cigars, drinks brandy–and causes a scandal.