Kyōzō Fuyuki

Shoichi Kokubun is a roughneck street musician, who has a brother that is determined to propel him into stardom. In attempt to catch the attention of a popular jazz band, his brother appeals to their manager who has the power to make him a star. In a graphic portrayal of love, betrayal and success, Shoichi brews up a storm with a 'rat-a-tat-tat' on the drums.

Based on the play ”Mabuta no haha” by famed author Shin Hasegawa, this is the first major starring role for Tomisaburo Wakayama. This heartfelt story concerns a wandering gambler from Banba by the name of Chutaro. Set during the Tenpo Period, Chutaro runs afoul of Boss Sukegoro of Iioka. Pursued by vengeance seeking swordsmen, Chutaro displays his phenomenal martial art skills. Abandoned as a child, he seeks to find his long lost mother, while at the same time fighting off numerous attacks by Iioka’s men.

A jobless young couple, Yoshigi and Tsutue, wind up at the outskirts of the Suzaki red-light district in Tokyo. Tsutue talks her way into a job pouring sake for male customers at a small bar run by a sympathetic older woman, while Yoshigi is shunted off into a nearby noodle shop, where he gets a job delivering noodles. Tsutue charms and runs off with one of her clients. Yoshigi, ignoring the attentions of a sweet co-worker, pursues Tsutue.

Jun Aisaka seduces one woman after another. His victims were flirtatious married woman Noriko, student Keiko, widow Mitsuko and dancer Rumi. As a result, he ends up in prison, but after escaping with another prisoner, he continues his criminal adventures with a partner. It is clear that this will not end well. Moreover, a couple of detectives are already on the trail of the criminals.

After mastering swordsmanship at the dojo of Chiba Shusaku, and unable to serve a clan due to his illness, Hirate Miki becomes a ronin who winds up as bodyguard to Shigezo of Sasagawa leading up to an epic battle.

Tanuma Kandayuu is a high class samurai of the house of Nabeshima. He finds a lavish board of Go (a Chinese Board game) at Kinbei's store. He recommend Kinbei to offer it to his lord. Kinbei hesitates at first, since he knows the board has a mysterious legend surrounding it; it's believed that for every game played on the board, one death is required.

A film by Kiyoshi Saeki

No description available.

Pinku from 1969.

Fourth installment of Nikkatsu's "Drifter" series, with Kobayashi Akira.

This epic depicts the battle between Uesugi Kenshin and Takeda Shingen. The focus of the story is the struggle by the unit leader in charge of the main supply wagons and the supply troops to transport materiel to the Uesugi army. To this are added episodes involving an itinerant woman.

A spectacular comedy with a star-studded cast that depicts unusual trials and unexpected verdicts regarding the five deadly sins: the crime of beauty, the crime of a terrifying wife, the crime of taking the wrong course, the crime of seducing, and the crime of killing with laughter.

Shizuko Kasagi and Hideko Takamine star as young women who try to raise money for a needy old friend by becoming wandering singers who work for tips in Tokyo's Ginza nightlife district.

Jurobei, a kaisen tonya (wholesaler in port) in Awa, was wronged and killed on the day of the Dance Festival by the evil merchant & the chamberlin. His brother (Kazuo Hasegawa) vowed vengeance on the day of his brother's death. So every year the villains are worried during the Awa Dance Festival (which is part of the Obon festival), but nothing has ever happened, until seven years later...

Another adaptation of Tange Sazen.

This 1932 adaptation is the earliest sound version of the ever-popular and much-filmed Chushingura story of the loyal 47 retainers who avenged their feudal lord after he was obliged to commit hara-kiri due to the machinations of a villainous courtier. As the first sound version of the classic narrative, the film was something of an event, and employed a stellar cast, who give a roster of memorable performances. Director Teinosuke Kinugasa was primarily a specialist in jidai-geki (period films), such as the internationally celebrated Gate of Hell (Jigokumon, 1953), and although he is now most famous as the maker of the avant-garde silent films A Page of Madness (Kurutta ichipeji, 1926) and Crossroads (Jujiro, 1928), Chushingura is in fact more typical of his output than those experimental works. The film ranked third in that year’s Kinema Junpo critics’ poll, and Joseph Anderson and Donald Richie noted that 'not only the sound but the quick cutting was admired by many critics.

No description available.

Based on the original work of Yasunori Kawauchi of "Moonlight Mask", this is the second in the "Ginza Whirlwind Child (Mitsutogai)" series in which Asahi Kobayashi plays an active role in the death of a divine ghost in a skillful disguise. Takuya Nikaido appears in Kobe and approaches the mystery of the fake bill case.

Pinku from 1970.

No description available.