Agha Jani Kashmiri

Kumar Sen is an artist of eminence, a talented painter, and a renowned sculptor; and like the majority of his clan, he has a sensitive introvert. But no artist can achieve any degree of brilliance in his work. Miss Asha Varma is the only niece of a retired, jovial old pensioner, Ashok Varma, and she is truly the light of Kumar's life. One stormy night, Kumar tries to hold Ashok Varma to his unsaid promise of giving him asha's hand in marriage. But the interview ends in unpleasantness for both of them, as angrily the old man ordered Kumar never to darken his doorstep again. Soon after Ashok Varma is strangled to death. Asha's beau Rajesh is arrested for Ashok's murder. The whole drama unfolds in court and truth prevails, who really murdered Ashok Varma and whether Rajesh is innocent or guilty.

The film follows Humayun’s rise to the throne, his struggles to maintain the empire, and his conflicts with rivals—especially Sher Shah Suri, who defeats him and forces him into exile. Amid political upheaval and personal loss, the story also explores Humayun’s relationships, particularly with his noble wife Hamida Banu. Eventually, with Persian support, he regains his empire, but his triumph is short-lived, as his reign ends with a fatal accident.

Kammo lives a very wealthy lifestyle with her widowed multi-millionaire dad, Girhdarilal, who would like her to get married to someone who is not after their wealth. To his dismay, she chooses to marry a Pilot named Sumankumar, who is known to womanize, and for his greed, so when he disapproves, she runs away. He advertises for her safe return and offers to pay Rs.1.25 Lakhs to the finder. Four days later, Kammo returns and she is not the same anymore, she is more humble, sober, and respectful. Fully appreciative of this, Girdharilal agrees to get her married to Sumankumar. Just before the marriage, a man named Sagar approaches them - and it is this visit that will change their lives forever.

Childhood sweethearts from opposing social standings are separated when one's family moves elsewhere, leaving behind only a watch as a token of their friendship. Years later, as adults, they strive to meet again.

In between his more ambitious Najma (1943) and Humayun (1945), Mehboob made this lightweight comedy about Justice Gangaprasad (Chandramohan) and theatre-owner Seth Badriprasad (Charlie) who lose their daughter and son respectively in the Kumbh Mela.

A delicately nuanced psychological drama, exploring a 3-way relationship between the main characters and the crisis of conscience that rocks it. A prosperous, well-respected lawyer, in love with and engaged to an educated, socially-conscious young woman, rapes a poor local village milkmaid. The rest of the story deals with the aftermath of this tragic event, with all the inevitable undercurrents of guilt, penitence and pervasive heartbreak that stem from it.

After the untimely death of her father and step-mother, Sonia is orphaned and lives with her aunt and paternal uncle (Mrs. and General Rajpal Singh). Sonia is plain-looking as her real mother, and often invites unappreciative, taunts, and critical remarks from her aunt and cousin-sister, Sheela. Sheela has a boyfriend, Dev Kumar Mehra, and she plans to marry him. Fed-up of hearing frequent taunts and adverse remarks about her plain-looks, Sonia challenges Sheetal that she will make Dev fall in love with her.

Najma is a 1943 Indian film directed by Mehboob Khan and starring Ashok Kumar and Veena. The film's music is by Rafiq Ghaznavi with lyrics by Anjum Pilibhiti. Najma was the first film under Mehboob Khan's Mehboob Productions banner. Due to its financial success upon release, the film became a blueprint for Muslim socials that followed.

A commoner and a noblewoman fall in love after he saves her from a fire, but her father is against their marriage.

Ashok, a slacker by nature, loves to play practical jokes and finds his life partner in Madhu, another joker. However, one particular joke hits a nerve and they end up being targeted by a gang of criminals.

Agra-based atheist and revolutionary poet/editor of Inquilab, Ejaz, falls head-over-heels in love with Naaz Ara Begum after he hears her sing, and then ends up losing his job. With the assistance of his lovely sister, Kausar Ara Begum, Ejaz and Naaz meet secretly. This does not auger well with Akhtar Nawab, Naaz's paternal cousin, who plans to marry her. To make matters worse, their meeting is witnessed by her enraged dad, Nawab Bakar Ali Khan, who initially asks Ejaz to leave, and then decides to teach him a lesson - with two loaded rifles.

When Parbat meets Pahari, the two of them fall in love and everything seems to be going well for both of them. However, things get complicated when a previous obsessive lover enters the narrative.

A Bollywood film.

A traumatized beautiful woman loses her memory in a train accident.

Aasra revolves around the life of Chanda (Sardar Akhtar), a sweet girl, who runs away from her house after her forcefully arrangement of marriage and meets with Chandan (Amar), a kind man in train and pretends to be married and worked in a Hotel. However, she meets with him again to save her life from an evil man and he pretends to be her husband. But they fell in love after an accident and this causes chaos and complications leading to consequences.