Directing
A talk show
In the circus tent „Joy” the same thing happens every day – they dismantle and assemble the tent with a dome full of stars, give performances, and move on to the next place. Lynx and parrot trainers quarrel over every little thing, and Valera the clown always performs alone. Until one day a new partner joins him, the clown Yana, and he starts to dream about conquering the world of the circus together with her.
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Faced with the relentless demise of the factory they work at, Mikhail, Andrey, Nina, Vladimir, Nadia and Luda – bosses, foremen, engineers and workers at the giant Moscow automobile plant ZIL – cling to their established routines and professional pride to stay upright in a world which is crumbling around them. When an order comes in to produce three of the factory’s legendary hand-made limousines, once the centerpiece of Soviet military parades on Moscow’s Red Square, Mikhail’s team of hand-picked specialists throws itself at the opportunity to show what they are worth.
A Russian girl, a Kurdish father. The father lives in Syria, in a town near the Turkish border. The girl joins him to meet her new family and... to find her lost roots. Everything moves forward in fragments, of time and of space. It is not only an aesthetic choice. It is a form consistent with the state of war, with the fragility of existences, with the capturing of reality by the body and by the spirit. But everything moves forward, in its way, carried along by a painful energy that obstinately perforates the borders.
Fly-on-the-wall documentary on the day-to-day life of Evgeniy Alyokhin, russian poet and musician, and his girlfrend Oksana.
About the fate of musicians, songwriters, producers from different cities of Russia and the countries of the former USSR.
In this documentary, we are not going to discover anything about the eponymous musical genre, but instead we will meet a group of workers dismantling a high-rise building made of concrete and metal. The filmmakers observe and register their labour using ingenious, visually stunning images, sometimes joined into several composition plans.
The Chechen Ruslan Arsajev seizes every opportunity to fight against the Russians, including in Ukraine. A portrait of a displaced mercenary from the front line of the crisis.
It takes 20 minutes on foot to get from the town of Nikola-Lenivets to the village of Zvizzhi. Nikola-Lenivets is the site of Arkhstoyaniye, a most fashionable festival of landscape objects. Zviszhi is the place where Val'ka, Lyudka, Zhen'ka and a sixty-year-old "dolly" Natasha live. Natasha lives with Valerka, a guy who served a term for murder because he knows how to fix electric wires. Valerka prefers to pass his nights with Zhen'ka. Val'ka was once Lyudka's kindergarten teacher; now they spend time together in a vegetable garden drinking denatured alcohol. "Fashionable" festival people and "degraded" Zviszhi people never heard about each other. But one day, village people decide to go visit their neighbors during the festival...
The demonstrators on the streets of Moscow in July 2019 want just one thing: fair elections. Despite their peaceful protest, 2,700 activists are arrested and hundreds are injured. The active camera places the viewer at the heart of the demonstrations, among the pushing and shoving of the chanting crowds. “You should be protecting us!” shouts a young woman at a soldier, and two big men come and take her away.
The film focuses on women from a family living in southern Russia: two sisters, their mother, and grandmother. Every summer, the younger women visit the elders, returning to their roots and embracing a traditional way of life. This household is deeply matriarchal—men are present but play secondary roles. The film’s space is filled with rituals: fortune-telling, herb gathering, and bathing. Here, the sacred is intertwined with the mundane. The daughters follow the life paths of their mother, who once traced the steps of the older women in the family.
Susanna, a sixty-four year old actress, lives with her mother and for a long time hasn’t played in the theatre; only occasionally she appears at small venues with poetic concert programs. But she is haunted by the play, which she rehearsed more than twenty years ago, and which was never staged. She finds a partner; the only thing that remains is to find a theatre that will agree to produce the play.
A beautiful portrait of a woman living in a small Russian village after World War II. A piercing meditation on family unity.
SPARTA is the Agricultural Poetized Association for the Development of Labor Activity. This is how the commune calls itself, which has been engaged in the development of the "Theory of Happiness" in the Ukrainian village "Karavan" for more than 20 years. Unable to reconcile with the collapse of communist utopia, the "Spartans" created their own.
Russian photographer Maksim Dmitriev liked reality, and in the beginning of the 20 century, he photographed bums, workers, farmers, bankers, and monks. Hundred yours later we showed these photographs to nowadays heroes. And they recognized each other.
Two people are on the road. Everyday life, business calls, games, a curve of the highway, a swing and again business calls... During this year the father and the daughter have not seen much of each other and they have not been alone for a long time. Two cameras are looking face to face; different fears inhabit one and the same space. There is a question: should they come back or should they continue traveling together?
Varya is sixteen. Varya doesn't go to school. Varya asks that she be called Sasha. Varya has a goal - to go to St. Petersburg. She plays the violin in the train, earning a trip. But the trip of a dream turns out to be a dangerous adventure, in which everything goes not according to plan...
The film is a portrait of a young writer Alexander Sarapov (literary pseudonym of Bronsky) from a small closed city of Zelenogorsk, Krasnoyarsky kray. His work had a great influence on people close to him and aroused interest among the leading figures of cinema and literature.
Carlos has been just born. He is the sweetest of the babies, but his grandmother is very sorry that he’s was born dark skin. Grandfather Sergey Mikhailovich wants to drink to the health of his grandson and celebrate this event, but grandmother doesn’t allows him to drink. Grandfather wants Carlos to know that he was born in the Great Russian Empire. This is Carlos’s first new year, and I made a movie so that he would remember it, and to talk about hilarious and painful things happening in my new family.
