Marina Razbezhkina

A talk show

The film is a portrait of a young writer Alexander Sarapov (literary pseudonym of Bronsky) from a small closed city of Zelenogorsk, Krasnoyarsky kray. His work had a great influence on people close to him and aroused interest among the leading figures of cinema and literature.

About the fate of musicians, songwriters, producers from different cities of Russia and the countries of the former USSR.

August 2015, a courtroom in Rostov-on-Don. A man is peering through the bars of his cage, his eyes reveal that his nerves are about to snap. Today he will be handed down a sentence to which he must submit: 20 years’ imprisonment in Siberia for terrorism. The man is Oleg Sentsov, a film director and Maidan activist born in Simferopol in the Ukraine. He is charged with leading an anti-Russian terrorist movement and having planned attacks on bridges, power lines and a monument of Lenin. Sentsov defends himself, courageously and without flinching. He responds to the verdict with an emphatic denial of his crimes and instead accuses the accusers themselves ...

There are those who follow the course of time. As in Soviet times, they adjust the accuracy of the clock in the astronomical institute every day. The clock runs fast, then slow, and we are left to wonder exactly what time we live in.

Ten director graduates from Marina Razbezhkina’s School of Documentary Film and Documentary Theatre lived with a camera for two months in order to chronicle the last “Russian winter” and its popular uprising against Vladimir Putin’s presidential run. People, faces, conversations, protests, failures and triumphs come together to chronicle the campaign.

A unique look at one of the oldest professions and cultures in the world. The director-observer travels with the circus, revealing to the viewer the joys, sorrows, adventures and realities of a sometimes harsh and sometimes touching wandering life.

Viktor Ryzhakov takes charge of the Sovremennik theatre after the death of Galina Volchek, who led the troupe for almost half a century and enjoyed absolute authority. For the theatre’s first new production, the new artistic director chooses a play about a family whose members have ceased to understand each other. While working on the play, the director and actors become more and more like the characters in the future production, and find it increasingly difficult to find mutual understanding within their “theatrical family.”

Yar is a place that keeps people, and they can't part with it. If they leave, they will die. The only one who wants to escape from the Yar is our main character Karev. But leaving the Yar, he thereby breaks with all traditional values, and unwittingly becomes the cause of the death of people dear to him...

80-year-old Zinaida Gorshkova, the last resident of the village of Otary, Mari SSR, entertains herself: walking through the forest, she sings songs that her decrepit memory still preserves: Soviet times of collectivization, church songs from childhood. In the songs, in the faces from old photographs, the memory of a past, bygone life is still preserved.

A provincial Russian family killed off by suicide, murder and manslaughter and a boy who asks about guilt and forgiveness in the midst of all this squalor. Shockingly great.

The Chechen Ruslan Arsajev seizes every opportunity to fight against the Russians, including in Ukraine. A portrait of a displaced mercenary from the front line of the crisis.

The demonstrators on the streets of Moscow in July 2019 want just one thing: fair elections. Despite their peaceful protest, 2,700 activists are arrested and hundreds are injured. The active camera places the viewer at the heart of the demonstrations, among the pushing and shoving of the chanting crowds. “You should be protecting us!” shouts a young woman at a soldier, and two big men come and take her away.

Two people are on the road. Everyday life, business calls, games, a curve of the highway, a swing and again business calls... During this year the father and the daughter have not seen much of each other and they have not been alone for a long time. Two cameras are looking face to face; different fears inhabit one and the same space. There is a question: should they come back or should they continue traveling together?

The documentary follows the life of Farroukh, a young Tajik immigrant who lives in Moscow outskirts with his family and does odd jobs in dreams of becoming an actor.

In the event of natural disaster, turn off electricity and gas, hide your valuable objects, lock the house, climb onto the roof, and maybe you will survive. Natasha, 12 years old, knows these instructions by heart. So, while waiting for the storm, she laughs and fights, suffers heartbreak, attempts to negotiate the purchase of a new swimsuit with her father. With zest and delicacy, with clear complicity with the body of her young heroine, Elizaveta Kozlova captures the details of a day-to- day life which, although ordinary, never seems insipid, so deeply is it infused with the contagious energy of the protagonist. And as the lines of contemporary Russian society and its problems are sketched out, In the Eye of the Storm reveals itself as the portrait of a character undergoing tremendous change.

Fly-on-the-wall documentary on the day-to-day life of Evgeniy Alyokhin, russian poet and musician, and his girlfrend Oksana.

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Documentary about the abbot of Raifa Monastery, Archimandrite Vsevolod.

Russian photographer Maksim Dmitriev liked reality, and in the beginning of the 20 century, he photographed bums, workers, farmers, bankers, and monks. Hundred yours later we showed these photographs to nowadays heroes. And they recognized each other.