Ezequiel Díaz

Rincón de Luz is a 2003 Argentinian telenovela for children and teenagers. It was originally aired in 2003 on Canal 9. The show was produced by Cris Morena, who is also the creator of the show. Rincón de Luz is a kind of spin-off of Chiquititas, Cris Morena's show.

Seven years after his triumph in Cuba, Che winds up in Bolivia, where he tries to ignite the same revolutionary fires as before.

Follows the life of Carlos, a member of one of the most powerful families in Mexico and whose life takes an "U" turn when his father is found dead.

Pedro receives a desperate message from an ex-girlfriend asking him to look after her senile mother, Alicia. What seems like a simple mission soon becomes his worst nightmare. Pedro needs to escape; but Alicia won’t let him...

As a director and his crew shoot a controversial film about Christopher Columbus in Cochabamba, Bolivia, local people rise up against plans to privatize the water supply.

Paulina is a young lawyer with a promising career in Buenos Aires, who chooses to go back to her home town. Her father, Fernando, is a well known judge. Against his will, Paulina decides to teach in a suburban high school as part of an inclusion program. One night, after the second week working there, she's brutally assaulted by a gang. With the disapproval of the people around her, she decides to go back to work, in the neighborhood where she was attacked, without realizing that her attackers may be even closer than she thought.

A camping trip for a group of friends turns into an unexpected nightmare when one of them encounters a mysterious stranger.

Among gunshots and boleros, a passionate relationship flourishes between a lonely transvestite and a young guerrilla during the Pinochet dictatorship.

In a country that has been broken down and corupted by poverty, Pablo and Mario are best friends and local thieves. Although they come from very different backgrounds, they help each other out by commiting petty crimes that help Pablo support his family and Mario become independent from his own. In a twist of fate, they become involved in a kidnapping that goes sour. This tragedy triggers and unmasks a series of events that changes their lives forever. Now the two friends will be tested and their lives taken to the limit.

Sergio, Mali and Luz reluctantly agreed to spend Christmas in the country with their mother; in part because of the guilt they feel about saying no when she has just come out of the hospital after a heart attack, but also because it would be nice to escape from their frustrations for a while.

Santiago, an Argentine police corporal, crosses the border into Uruguay fleeing from other police officers who are looking for him. Using his uniform, he inspects regional food stalls, sampling dairy products and cold cuts to survive, while trying to go unnoticed among the locals. Without money or lodging, but with empathy and cunning, he begins to plot a new life, receiving help from local characters he meets along the way and even finding what he believes to be the love of his life.

Following a bust-up with her girlfriend, Emilia returns from the city to her mother's village, somewhere in Patagonia. Her mother isn't overjoyed about Emilia's return, as this disrupts her peaceful existence. Emilia tries to decide how she wants to carry on with her life, but is confronted with people and feelings from her past. Bored and frustrated, or just looking for intimacy, she seduces a number of men, including her childhood sweetheart, but also falls in love with a girl at the school where she teaches gym – an obsession that distracts her from her broken heart and musings about the future. In his first feature, director César Sodero contrasts Emilia's inner restlessness with the immutability of Patagonia. He does this using images of impressive landscapes, natural dialogue and telling non-verbal communication. Surrounded by the peace and beauty of nature, inner chaos gradually gives way to acceptance and self-awareness.

After the accidental death of his mother, Andres has to move in with his grandmother, Olga, and his estranged father Raul. Andres, who doesn't like to take a nap, wanders curiously through the neighborhood, where an illegal detention center is hidden, something everyone knows, but no one dare mention. Courage and fears will be tested with lasting consequences for all.

This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.

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No description available.

While the whole world gets shocked by news on life on Mars, a group of friends lives imprisoned in a mechanical choreography, a farce that can hardly be considered as life.

Patricia's life falls apart when she loses her job and faces a family demand. After suffering an accident that leaves her in a wheelchair, her physical therapist suggests she publish her story in a video, a move that will unleash serious consequences.

Jorge is an old artist, actor and director, who says he wants to direct a film about the Latin American wars of independence. Charito is a young woman who comes from the Peruvian jungle to work as a maid in Buenos Aires. The unconscious of the protagonists bursts in the form of dreams, visions and fantasies amid horses, fencing sessions, fragments of lost films and anthropological videos.