Rodolfo Pagliere

1977, Argentina. Gina (37) is obsessively trying to conceive a child with her husband Carlos (58), with whom she previously lost a baby before birth. Carlos is a powerful businessman involved in shady deals with the military during the dictatorship. A former equestrian champion, Gina finds solace in horseback riding to escape the anguish of not becoming a mother. One afternoon, she gives in to the attraction she feels for the stable boy at her riding club. They become lovers, but she soon realizes that love alone cannot heal her wounds. Later, she finds out the army has kidnapped her best friend. In search of help, she turns to a captain from her husband's inner circle – unaware that she's walking into a trap.

Joaco's infidelity breaks up the couple with Vanesa. Trying to maintain a friendly relationship is a possibility that Vanesa accepts because she cannot think without him. The acceptance of the separation will be a painful path but one of personal growth.

A librarian founds a copy of the fabled Necronomicon, only unleash hell on earth.

Two guys as different as a watchmaker and a television editor have to free Carlos Gardel's soul from a strange pact with the devil, who has it trapped. To break the spell, these fans of El Morocho del Abasto, and improvised exorcists, need to find a mythical figure of such popular force as Gardel: the great Diego Maradona.

Two apples is a boundless and necessarily fallacious hypothesis of this ephemeral encounter.

Hugo becomes captivated with Octavio, a middle-aged local boxing champion, but their relationship is tested when Hugo finds a new job in the city.

Eva and Lola are close friends. While Eva tries to cope with her past creating a fantasy life, Lola does not want to handle with the truth of her real identity. Two friends with different views of the same story.

Fernando and Ana meet again after a few years and relive their love story from two different angles. It is a story (or maybe two) that dives into the universe of the body, the memory of the body, the marks of love, desire, and memories. It is a story in which the "real world" is challenged by the emergence of desire.

General San Martin has stopped in the Cordillera and the crossing of the Andes does not advance. Rivadavia is that triune. A simple chasqui (courier), advised by an aboriginal witch, will try to solve the situation.

A woman leaves her son on his 5th birthday and goes out to look for what she doesn't have: a job. What could be just another party becomes complicated when a shrewd grandmother suspects that the child does not belong to her grandson's group of classmates.

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