Boris Bergman

Midi Première is a French variety show presented by Danièle Gilbert, directed by Jacques Pierre and broadcast from January 6, 1975 until January 1, 1982 on TF1. The program was generally broadcast between 12:15 p.m. and 12:55 p.m., then giving way to the 1:00 p.m. TV news. However, the broadcast schedule could change, depending on the guests, and the setting where the recording of the program was shot. Certain performances by artists who have become cult like the one where Ringo jostles with a demonstrator in interpretation (1977), that of Dalida with the title There is always a song with the soundtrack that does not start, twice, at the right speed (1978), Claude François and his Clodettes, who, in the provinces, are unable to join "the set" in order to interpret his song, the latter being taken by the crowd of delirious fans (summer 1977) . The group Supertramp performed there with the title "Dreamer" on March 8, 1975.

A passenger on a cruise ship develops an irresistible infatuation with an eccentric paraplegic's wife.

Matthias Duval is in love, but he can't choose between the two twin sisters Betty and Liz Kerner. To pick up the two sisters, he invents his own twin brother and will play both characters.

This gripping historical drama recounts the story of Armenian-born Missak Manouchian, a woodworker and political activist who led an immigrant laborer division of the Parisian Resistance on 30 operations against the Nazis in 1943. The Nazis branded the group an Army of Crime, an anti-immigrant propaganda stunt that backfired as the team's members became martyrs for the Resistance.

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Polish Martin Gray recalls the Holocaust, New York prosperity, and losing his wife and family.

A group of actors putting on an interpretive Passion Play in Montreal begin to experience a meshing of their characters and their private lives as the production takes form against the growing opposition of the Catholic church.

The plot is set in a post apocalyptic Junkyard where people take refuge from authority and are able to practice their fantasies and fetishes without being stopped by the police. These people are led by Emanou who is a sort of Messiah, who promises music rather than salvation.

Charly, a young man in his thirties, is illiterate. He hides this handicap by combining humor and a sense of trickery. Charly found his mode of expression: music, for which and by which he lives while searching in the metro with his friends. It is there that he will meet Marie, seduced by this marginal sax player. Marie, despite the tricks deployed by Charly, will quickly realize that he is illiterate. But love has already given Charly the desire to learn to read...

Gilbert, assigned to incinerate old banknotes at the Bank of France, lives with his wife, Gisèle, and his young son, Thomas. A few years earlier, he had formed a rock band with Serge and Gisèle's brother, Marc. The latter, abusing his naivety, make him believe that he has been robbed of a briefcase containing a million dollars and that, because of his fault, Marc is in danger of dying. The objective is to force Gilbert to put his incinerator out of order to facilitate the bank robbery. Gilbert refuses at first, then gives in. But he discovers that he has been cheated. To get revenge, he tells the police the date and time of the robbery.

Several lives intersect when a middle-aged woman is left by her husband, and she decides to trek him down with the help of her equally troubled sister.

Detective Nestor Burma begins an investigation into the corrupt drug-ridden punk rock music world.

Paula Barretto (Juliet Berto) is caught in the underworld because her father was involved in the drug business, her brother is in the real estate scam, and her lover is an armed thief. Although she tries to get out of her corrupt and dangerous environment, it is not an easy task when even the police officers cannot be trusted, and the underworld has informants everywhere.

A young rock singer, Morgan, falls in love with the pretty Julie. But Dimitri, Julie's "ex", doesn't see it that way.

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“I have on occasion experienced filmmaking as an intensely shared activity. Lively friendships result and remain. Filming that affection today is no act of nostalgia. Paths once crossed make things simple. People who have been behind the camera, or in front of it, giving the movie their all, are without illusion.” (Alain Cavalier)

Variations of the three portraits of the movie L'amitié.

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