Philippe Borrel

Weekly current affairs show

For the past fifteen years, the acceleration of technological progress has lead to unthinkable feats. Allowing amputees to walk again thanks to a bionic prosthesis or having a job interview with a robot is no longer science fiction. Technology is everywhere. It governs our social interactions and even intrudes into our bodies. But how far are we willing to let our machines go? It is this recurring issue, at the origin of many utopian works, that is addressed in this movie by Philippe Borrel.

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"Hacking for the Commons", this 87 minute long documentary takes us to meet with those who, from India to the United States via Europe, are experimenting with the emancipation tools of "free software" in order to bring concrete solutions in a multitude of fields in which collective practices known as "open" - thus "non-proprietary" - are spreading : in agriculture, with "free" seeds, in health, with Open Source medicines, or in education, thanks to a free access to knowledge... Resistants of the "Free" software field see it as a philosophical and political issue, as much as a societal choice, while the contributory and emancipatory practices of "Free" software are beginning to spread far beyond the IT field alone, for the benefice of the Commons...

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The "Uberisation" of the world is upon us, as we’re all aware. But it might be only a foretaste of what awaits us in the near future: will it be an unprecedented disruption in the history of mankind or quite simply the end of most of the working population? Unlike the industrial changes of the last two centuries, the huge shift of the 21st century deals with the brain, and its playground is the services and tertiary sectors. What will the consequences be for employment over the next ten years? "A Jobless World?" offers an investigation into the genesis of this new world.

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A fascinating investigation to meet activists and industrials who struggle to defend the free code, not only in the computer business, but every industry such as automobiles or agriculture. The film is like the logbook of an immersion trip to meet anonymous or public figures from the still marginal world of free software and its ever dominant "proprietary" counter-shoot.