
Branko Vidaković
Acting
Biography
Branko Bane Vidakovic is a Serbian actor.
Known For

A Serbian remake of the classic medical TV series 'ER'.
Emergency Center

A moving story about the residents of correctional facility, rejected by parents and environment. Going through a strict regimen of life in the home, they are constantly trying to reverse the fate in their favor. Although they were given a chance to change, their actions always return to the beginning. Constantly on the border between personal whims and once-in-a-lifetime opportunity to become humans, they remain as wolves who find hard to change their mood. What finally remains is a perpetual dilemma whether their fate is innate, or is it forced by the communities in which they grew up...
Grey Home

The central theme of this contemporary story is a seventy-year-old, an extremely rich, clever and witty man, the so-called tycoon Krsto Karamancic.
Come Yesterday

The story revolves around two friends who try to open an illegal restaurant in Dorcol, in order not to pay taxes, which puts them into various comic situations. One is a Belgrade scammer who resells everything and lives that way, and the other is a village hipster attempting to become a Belgradian.
Love Cookies

War story of the 27th Panzers, Hitler's heavy-duty combat regiment composed of prisoners.
The Misfit Brigade

The series deals with the suffering of creators and all those, in all times, who sincerely searched for the truth.
Walking with a Lion

Serbian sitcom following adventures of three men who live together with their dominant and matriarchal aunt.
Three Men and Aunt

The 2020 theatrical film of the same name reedited into a seven part mini-series. A middle-aged former criminal has little time to live due to cancer, so he gets to see his son after 5 years to spend his last week with him and teach him the principles he considers important in life.
Weekend with Pops

A story about friendship between two boys coming from different social backgrounds, but with the equally bitter family experiences.
Blackbird

In the opening stages of the Bosnian War, a small group of Serbian soldiers are trapped in a tunnel by a Muslim force.
Pretty Village, Pretty Flame

Angel and the devil fight for the soul of a Belgrade playboy who made a young girl pregnant.
We Are Not Angels

Movie about secret relations between Yugoslavian, Serbian and Croatian secret police during last 50 years. Here in Balkans truth and lies are so much mixed and it lasts so long that no one knows the difference. That is why this fictitious story looks so true.
Balkan Rules

New adventures of truck drivers Jare and Paja, long-time fellow associates and close friends. Jare is forced to pay off his debt for the loans he was raising to build a house for his numerous family. He must find heaps of money as soon as possible, or let tax gatherers to take everything. Paja tries to help him in this impossible task, but on their way they face bunch of obstacles, losses and misfortunes, encountering all sorts of people, only to end up in serious problems.
Truckers Ride Again

A young unemployed saxophone player Boki is pursued by debt collector agency, whose secretary tries to save him. Having reached his dead end, the racketeers give him a twelve hours deadline to find the money. He calls everyone he could remember and unsuccessfully begs for help. The time inevitably runs...
Buy Me an Eliot

A collection of seven stories "from the block," linked by the theme of the seven deadly sins, humorously portrays the everyday life of New Belgrade's inhabitants, who are consumed by their minor foibles and guided by their passions. While pride, sloth, envy, wrath, greed, lust, and gluttony are biblical sins, they seem almost ridiculous in contemporary times when set against the backdrop of civilization's far more severe challenges.
Seven and a Half

Trouble usually starts when the power falls into the wrong hands. That's how the book that hides an ancient evil fell to Stanislav. It does not matter whether Stanislav is a nice guy who helps old ladies cross the street, a psychopath, nerd, or a blood-thirsty young man.
Sheitan Warrior

Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.
Mama's Boy

The violent break-up of former Yugoslavia is described from the Serbian point of view, using the story of ethnically mixed couple in war-torn city of Vukovar as metaphor.
Vukovar Poste Restante

In 1985, four middle-aged Yugoslav emigres return to Belgrade for the funeral of Mariana, their beautiful compatriot. They called her Esther, for Esther Williams, she was the coxswain for their four-man rowing team, and they each loved her. They'd last seen her in 1953, when they rowed her across the Adriatic, pregnant, to join her exiled father in Italy. In flashbacks we learn the story of their youthful baptism into sex, smoking, rock and roll (Hey Ba-ba-re-bop), Hollywood and Swedish films, blue jeans on the black market, and their rivalry with Ristic, the Communist Party youth leader for whom they had instant antipathy.
Hey Babu Riba

Two themes arise from the story, themes that are interlocked: the theme of love and of man's eternal submission to traditional symbols. The director Živko Nikolić continues his movie saga of human nature. Both themes develop the mythical idea of temptation. It is basic human relation: from the intimate to the families' vying with each other.