Nacho Garassino

Based on a real event, this is the spectacular escape of seven prisoners in 1991 from the Villa Devoto prison in Buenos Aires, Argentina. In the process of digging a tunnel to escape, they make a bizarre and frightening discovery just as they are about to break through to freedom. One escapee promises to report their findings when they are all free and once out, he pays his debt to "the tunnel of bones,"sharing their macabre story with a local journalist, and ultimately the world.

Daniel, Juan Palomino is a security guard, he was once a policeman, and he would have liked to be a vigilante hero. But, far from it, his job is to take care of the buildings of others. The city will cross with Analía (Emilia Attias), a distant woman, obsessive and beautiful in a mysterious way. She avoids contact with men because she has been the victim of rape. That terrible past comes back when Julio, Esteban Meloni, a violent and obsessed man, gets out of jail. Between the three are weaving on the streets of the city a plot of passion and crime.

Living in Tucumán, 75-year-old Julio Pereyra (Santiago Bal) has always dreamed of visiting the coast, and after seeing his doctor, he realizes it’s either now or never. He hopes to enlist his errant son, Marcos (Federico Bal, the star’s real-life son), to take him by motorcycle; both Marcos and his by-the-books sister (Anita Martínez) are opposed to the idea. But before he reaches his final destination, Julio will have the opportunity to check several things off his bucket list in this emotionally resonant road movie.

In this documentary, Garassino records behind the scenes of the OIANT, based at the National University of Tres de Febrero. An initiatory journey with their musicians: from the investigation of pre-Columbian codices to build lost instruments, the combination with new technologies, to their concerts around the world that are authentic rituals on stage.

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Documentary that follows a group of filmmakers who investigate the existence of a Peronist superhero that Perón allegedly proposed to publish. They interview historians, graphic artists, and sociologists to reconstruct this figure, whose evidence was destroyed after the 1955 coup d'état and the persecution of Peronism.