Christian Klandt

The everyday lives of teenagers, coming from various social backgrounds. For them, sexuality has become a substitute for love, resulting from emotional neglect.

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

Music manager Eric quits his job and decides to become a mortician of all things

It's Lene's first day back at work after some time off. Friends and acquaintances, regulars and strangers come to her jazz and blues bar. While Lene is waiting for Danish musician Leif, who is scheduled to perform tonight, the guests discuss all kinds of topics, ranging from pop music by elves and invisible cell phones to maggots eating away at corpses. But what if Leif doesn't show up at all?

Two actors improvise biographical scenes about Hitler and Jesus. They discover more and more similarities and set out in search of the reasons for their enormous success. Jesus wants to give love. Many conflicts have to be resolved until Hitler can finally come to accept this.

No description available.

An alternate reality, the era following matriarchy. There are only a few women left; most of them have fallen in battle. They made the same mistake the men had made before. It’s hot.

Inspired by real events, five friends struggle to cope with their frustrations and are compelled to violence as Weltstadt, a once-popular tourist spot, falls onto hard times following the reunification of Germany.

It is June 18, 19**. On this astonishingly hot afternoon, Étienne Pignon is sitting—unusually upright by his standards—at the head of a long, lavishly set table on the shore of a lake, grinning from ear to ear.