Sofía Brito

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In 1952, Argentina's beloved First Lady, Eva Perón, died of cancer at the age of thirty-three. A renowned embalmer was commissioned by the grieving Juan Perón to preserve her body for display, and Argentines flocked to be near "Evita". Three years later, when his government was overthrown by a military coup, Perón fled the country before he could make arrangements for the transportation of his wife's body. The military junta now in control kidnapped the corpse; so afraid were they of Eva's symbolic power that they even made it illegal to utter her name.

Theo tries to reunite with his family. He rearranges his apartment and leaves everything ready for the return of his mother, who will be free again.

In a snowy and industrial city in the south of Argentina, Paula, a 23-year-old girl from Buenos Aires, starts an intense job hunt with the sole purpose of saving money. The lack of a job, a home and a stable emotional environment will end up turning that search into a personal and introspective journey.

3 friends merge their paths on a cloudy day in Berlin. As they walk along the sunset each one will turn a page on their life. Some will be left behind, others will fly away but only one will stay keeping Berlin still possible for all. —Juan Carlos Lo Sasso

Five juvenile delinquents break out of jail and attempt to make their way to a house in the Mendoza foothills of Argentina.

61. La Verdad Interior reveals the creative process behind TELEMUNDO [screened in the New Visions section], a collaborative film directed by James Benning and starring himself and Sofía Brito. It is a journey, an interview. The connection between a film director with a great carrier and a young actress who decides to film the creative process that thrives between the two. A film-essay in which these two beings find ways of overcoming the language barriers.

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Ana and Álvaro have been trying to become parents for years and that circumstance has broken the relationship and worn down the bond. Ana then begins to travel on the edge of anguish and Álvaro decides to use a resource that he had not imagined before: traveling to the North of Argentina and adopting a child, beyond the law.

James Benning watches tv with a young girl.

A young actress directs a casting for a film about the flood in Santa Fe. Between the voices of people, current, past, and her own experience of the landscape, questions begin to arise.

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