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In-depth documentaries about the greatest filmmakers from around the world, all in the form of candid face-to-face interviews, conducted, created and produced by former critics for Les Cahiers du Cinéma, Janine Bazin and André S. Labarthe.
This film of interviews with the film director Jacques Rivette was produced in collaboration with Serge Daney, film critic from “Cahiers du cinéma”, then of “Liberation”. In the course of their conversations, the two speakers discuss Rivette’s career, his relationships with the other film makers of the new wave, his use of “mise en scene” and his working with actors.
"Cinema of Our Time" is a documentary series about contemporary filmmakers from around the world, created by Janine Bazin and André S. Labarthe, as a follow-up to the acclaimed initial series "Filmmakers of Our Time" (1964-1972).
Janine Bazin and André Labarthe approached Chantal Akerman about making a film for the series; eagerly, Akerman proposed a number of filmmakers—but all had already been done. So she suggested…“How about me?” Akerman creates a fascinating self-portrait that takes us through her career, aided by critics Emmanuel Burdeau and Jean Narboni and filmmaker Luc Moullet.
Episode of the French television series about the work of film director Jacques Becker. (A 27-minute excerpt from this show appears on the Criterion Collection's release of "Casque d'Or." )
An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)
Intimate portrait of Abel Ferrara: the result is an eccentric road movie, with the restless film maker as a charming, shabby guide around New York by night.
Celluloid and Marble is based on Rohmer's own articles published in "Cahiers du cinéma", discussing film in relation to the other arts, maintaining that, in an age of cultural self-consciousness, cinema was “the last refuge of poetry” - the only contemporary art form from which metaphor could still spring naturally and spontaneously.
Episode of the French television series about the work of François Truffaut.
Made for "Cinéma, de notre temps" series. In a peaceful residence near the Loire River, Chabrol raised his favorite characters : monsters. In this documentary, we can see him actively working on the adaptation of Simenon's novel "Betty", and answering the questions posed by Jean Douchet (his former colleagues at the magazine "Cahiers du Cinéma"). Excerpts from The Butcher (Le Boucher), Violette Nozière, The Hatter's Ghost (Les Fantômes du chapelier) and Masks (Masques) will punctuate their meaningful and witty conversation.
Amazing documentary shows rarely seen side of a master director. 1990 was a very good year for Martin Scorsese. After making a diverse group of films in the 80s, he reunited with Robert DeNiro for "Goodfellas" and later that year shot a segment for "New York Stories", an anthology film of three shorts by Scorsese, Woody Allen, and Francis Ford Coppola. During the editing, the French documentary series "Cinéma, de notre temps" filmed a documentary on the director, and it's a fascinating glimpse into his life, personality, and working habits as he edits his short with long-time collaborator Thelma Schoonmaker.
Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: "I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!"
In the third part of a Cinéastes triptych on Jean Renoir, the director sits alone in a cinema analyzing scenes from La Marseillaise and The Rules of the Game, and discussing his editing and storytelling techniques.
An episode of the television program Cinéastes de notre temps in which the director gives his first on-camera interview.
Three-part interview with French film director Jean Renoir, conducted by French New Wave director Jacques Rivette.
Paulo Rocha catches up with his “beloved subject” in Porto, where he made Douro, Faina Fluvial in 1929, and where today Oliveira reminisces about the figure of his father, his first experience of cinema as an actor, his past as a racing driver, his first technical experiences…
A documentary about American director David Lynch from the Cinéma, de notre temps series.
