Acting
A group of men all called Frank—except for one named Pekka—have had enough of life in their working-class neighborhood, so they set off for a better existence in the magical seaside district of Eira. But the way is long, and the group face many hurdles including stray dogs and defunct streetlights.
The Kiljunen family wins a holiday trip to Helsinki and the city will never be the same again.
Gravity researcher Erik Rankamaa dies in his prime in 1970. He is been deep frozen and gets defrosted in 1999, while people of his time are still alive.
Manne, Harri, and Ville Alfa are rootless twenty-somethings in search of purpose for their banal lives. After Manne steals a priceless painting from a group of petty criminals, Manne and Harri flee from the gangsters across Finland, while Ville goes to Paris. On the road they meet Veera, an old girlfriend of Harri's, and try to avoid the gangsters in pursuit.
A young advertising executive decides to focus on success in his life. As he concentrates on building his career, both his family and his colleagues are pushed aside.
No description available.
Three old men escape from the hospital and travel to Turku in search of one of the mens daughter
A Finnish adaptation of Notes from Underground by Fyodor Dostoevsky.
The Torniainen are a couple consisting of Raija, a flight attendant, and Hanski, a civil engineer. They have long wanted to have a child. Tests show that Hanski is infertile, and the doctor offers little hope.
A group of three male friends with domestic problems behave badly.
Matti turns 16 and becomes a man, at least in his father's eyes. Matti wanders around Helsinki, and strange people cling to him like flies to sticky flypaper. At the same time, Matti's girlfriend Leila waits for him somewhere.
When a new man appears in Tuula's life, Jorma does not tolerate the idea and begins to yearn back for his ex-wife. They drift into a situation where both face a big choice that has far-reaching implications for the rest of their lives.
April is the Cruelest of Months is a 1983 film directed by Suvi-Marja Korvenheimo, also known as Anssi Mänttäri, and the final part of the Korvenheimo trilogy. It was named after the first verse of T. S. Eliot's poem series The Waste Land. The film, shot in ten days, is a satire on the candles of Finnish culture.
Lauri Valjakka, a lecturer at the Department of Sociology, is thoroughly fed up with his family, whom he refers to as a "consumption unit," and his irritating, rigid wife. After a tedious train journey, Valjakka decides to leave his wife. He manages to escape to a station restaurant, where he meets an unusually honest man who has been abandoned and a straightforward woman.
Finland in the late 1950s. A touring theatre company travels the countryside and play English light comedies. But the audience fails.
According to Mänttäri, the film is about a woman as portrayed through four female characters.
A well-known Finnish man is found murdered in a popular Sicilian resort, and a Finnish police officer who happens to be there begins to investigate the case on his own.
In the summer of 1944, long-range reconnaissance soldier Jaakko Tulivaara returns to his family and girlfriend Anna for a break in his home village in Kainuu, located near the Soviet border and the war zone, which is protected from partisans by a military unit led by Sergeant Tolvanen.
