Juuso Hirvikangas

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No description available.

Police Inspector Renko tries to solve the case of three bodies found in Moscow's Gorky Park but finds his attempts to solve the crime impeded by his superiors. Working on his own, Renko seeks out more information and stumbles across a conspiracy involving the highest levels of the government.

A Finnish man goes to the city to find a job after the mine where he worked is closed and his father commits suicide.

The ever-poker-faced Ilona loses her job as a restaurant hostess, as her tram driver husband, Lauri, also finds himself out of work. Together they must hit the streets of Helsinki, facing up to hardship and humiliation in their quest for survival, guided through the gloom by a ray of hope.

Nikander, a rubbish collector and would-be entrepreneur, finds his plans for success dashed when his business associate dies. One evening, he meets Ilona, a down-on-her-luck cashier, in a local supermarket. Falteringly, a bond begins to develop between them.

Iris is a shy and dowdy young woman stuck in a dead-end job at a match factory, who dreams of finding love at the local dancehall. Finding herself pregnant after a one-night stand and abandoned by the father, Iris finally decides the time has come to get even and she begins to plot her revenge.

No description available.

A restaurateur befriends a Syrian refugee who has recently arrived in Finland.

After Nazi Germany invades Poland in September 1939, Russia attacks Finland two months later. Finnish reservists leave home and go to war. Brothers Martti and Paavo Hakala, farmers from the municipality of Kauhava in the province of Pohjanmaa/Ostrobothnia, serve in a Finnish platoon.

Former student Rahikainen is pushed to murder when struggling to pay the rent on his apartment. When the murder is being investigated by the police, Rahikainen struggles between trying to hide his guilt and the pressure to confess.

Talkative, hyperactive young drifter Ville Alfa goes around Helsinki, basically trying to borrow money from friends and strangers by means of an incessant delivery of quirky and snappy quasi-intellectual lines and fabricated excuses.

Manne, Harri, and Ville Alfa are rootless twenty-somethings in search of purpose for their banal lives. After Manne steals a priceless painting from a group of petty criminals, Manne and Harri flee from the gangsters across Finland, while Ville goes to Paris. On the road they meet Veera, an old girlfriend of Harri's, and try to avoid the gangsters in pursuit.

Anssi Mänttäri’s low-budget movies with their intimate content have become classics. In this black comedy that takes place in Helsinki in summer the main character (played by Mänttäri himself) jumps from one bar and bed to the next. Especially vulgar black humour.

A documentary film about a tour of three Finnish rock bands around Saimaa lake system in a steam boat in 1981. The bands (Juice Leskinen Slam, Eppu Normaali and Hassisen Kone) are shown playing songs in their gigs and, in between, the members give intimate interviews or just act plain silly and have a good time.

April is the Cruelest of Months is a 1983 film directed by Suvi-Marja Korvenheimo, also known as Anssi Mänttäri, and the final part of the Korvenheimo trilogy. It was named after the first verse of T. S. Eliot's poem series The Waste Land. The film, shot in ten days, is a satire on the candles of Finnish culture.

The Tough Ones tells a story of two friends who have a hard time finding their place in the society. Antti and Jussi are released from jail. While they were doing time for bank robbery, the third man involved in the robbery, the one who was not convicted, has become a policeman. He tries to help his friends to settle into the small town in Pohjanmaa, but the boys start a black market liquor business instead. The road seems to lead back to the jail.

A group of men all called Frank—except for one named Pekka—have had enough of life in their working-class neighborhood, so they set off for a better existence in the magical seaside district of Eira. But the way is long, and the group face many hurdles including stray dogs and defunct streetlights.

Two Finnish men agree to drive an Estonian woman and a Russian woman to a harbor.

When Hamlet discovers his father’s deceased body, he finds himself pulled into a power struggle as his scheming uncle attempts to secure a monopoly on the Scandinavian rubber duck industry. Will Hamlet avenge his father? Will he become the king of rubber ducks? Does any of it really matter?