Rita Bauer

In a dark and spare theatrical space, four characters use gesture, language, and movement to explore themes of desire and mortality.

One of Schroeter’s first experiments in choreography, as he stages actors in an empty room.

Collage of dramatic scenes, some exaggerated to comic effect, with asynchronous sound from well known classic, operatic, and rock and roll music – with different approaches to love, suffering, and death.

A love triangle, accompanied by traditional German Christmas songs.

La morte d’Isotta is a passionate melodrama inspired by Richard Wagner and Comte de Lautréamont, with Schroeter appearing in a principal role.