Directing
In New York City, detective Luigi Mackeroni investigates a string of mysterious penile mutilations at the Hotel Quickie. After Mackeroni attempts to have a tryst with a gigolo he meets in the lobby, a carniverous condom bites off his right testicle and flees, which sets the detective off on a quest to stop the predatory prophylactic once and for all.
In the year 2000, the Hungarian river Tisza was flooded with tons of cyanide from an Australian-Romanian gold mine. Fishermen like Balazs Meszaros struggled to survive. In an effort to save his people and their way of life, Balazs travels to Australia to confront the mining company responsible for destroying his livelihood.
Stones are at once the most foundational and the most overlooked parts of our lifeworld. When a retired nature documentary narrator passes a kidney stone, she decides to tell one more story about this forgotten world of stone . A hypnotic essay film asking urgent ecological questions, Apple Cider Vinegar takes the viewer on a journey meeting Palestinian quarry workers, passionate Britisch Geologist and People living on the lava fields of Fogo.
A musical documentary following 12 Congolese musicians on their tour through Europe and Kinshasa with a show in which they created a symbiosis between baroque and African music.
In the Andes, a Belgian doctor and his photojournalist wife become ensnared in a native tribe's struggle with a mining company.
During his thirty-year career, Walter Hus, a Belgian composer and pianist, has taken a thousand musical faces. While he wanted to compose a new work, a crisis blocked his creation. During an exchange with his therapist, he comes to an existential question: "Who am I musically? » Through the portrait of this composer, as abundant as it is fascinating, the film aims to give access to his creative process and thus to the endurance and beauty of creation.
ANTWERP CENTRAL takes the viewer on a journey through the physical and mental space of Antwerp’s railway cathedral, from its construction to the present day. The film covers three centuries of Belgian railway history: from the moment that the national railway company laid its first tracks to the development of the high-speed rail link in the 21st century. Echoes of Belgium’s colonial past and the location of the station in the centre of the bustling diamond district and next to the city zoo add a surreal touch as contrasting pairs, such as animal and human, nature and industry, baroque and modernity, dilapidation and renovation are complexly juxtaposed.
N recounts the story of the Frenchman Raymond Borremans, who left Europe for Africa in the mid-20th-century. He devoted his life to the creation of the first encyclopaedia of this other world, dreaming of eternal recognition. He died, however, having only reached the letter N. With his encyclopaedia incomplete, his restless spirit drifts around West Africa, caught between life and death, past and present. This is the story of how he tries to complete his unfinished task from beyond death. N is both visually and musically a truly striking film. It is a multi-layered audio-visual symphony of great narrative richness. Hovering between dream and reality, this magical film plays on the confrontation between the Western mind and African spirituality.
The general Flemish education system can no longer refuse to accept pupils who have disabilities, conditions, or handicaps and require extra care. The M-Decree obliges schools to adapt to the needs of children. This documentary observes in beautiful black and white how four children with different special needs experience going to a normal school. Inclusief is not a rushed TV report or reality series that panders to your emotions, but a carefully made, cinematic film that offers an intimate insight into the lives of four children, Rosie, Sami, Irakli and Nathan.
Born in Abkhazia and raised in Soviet Georgia, Sipa Labakhua had to flee with his family to Moscow when the USSR collapsed and war broke out early 90’s. Years after his untimely return to his warridden birthplace, Sipa takes to the road with his autobiographical one-man marionette show. While provoking audiences with his own history of displacement and war, he collects the personal memories and dreams of people from different backgrounds: Abkhazian nationalists, Orthodox priests, Syrian refugees, Georgian farmers and Russian hippies.
There’s a treasure trove of information to be found in the poisonous e-waste in Ghana. It’s a relatively simple matter to open up hard drives and gain access to photos and the personal details of their former owners. Equipped with a name and address, almost anybody can be found online. A young mother looks in astonishment at an American street that she has conjured up on Google Maps in a matter of seconds—this is Ama, one of the internet con artists in this film.
In 1952, Marie-Louise Chapelle was the first French woman to reach an unclimbed peak in the Himalayas. Years later, filmmaker Ellen Vermeulen follows in her footsteps. An intimate journey through snow landscapes in which personal ambitions, social constraints, and the complexity of being a woman take center stage.
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The film starts in Nalaikh where old Mongolchaan is one of the many former miners who - after the closure of the mine - continues digging for coal in order to survive. Despite the extremely severe working conditions, he perseveres to support his children. Mongolchaan sells his coal to Basandorj, a middleman between the coal pits and the power stations in the city. Basandorj delivers the coal to a power station where young Erdenetsetseg is in charge. Despite the harsh environment, she enjoys her life and work. The electricity produced by the power plant enlightens blind Amarjarkhal's apartment. Ever since she moved from Nalaikh to the capital she makes a living as a writer and performer of popular songs.
In order to prevent a future Apocalypse, scientists have developed a programme to prevent collective amnesia. Memories are stored and meticulously classified. They use this archive against forgetting, against the virus, against the night. But one night, an old man wakes up in a hospital and starts wondering where his memories came from. Slowly he discovers that nothing is what it seems.
"How thin is the human skin? What does it hide behind? The leather bag of apocalypse." Bile is an introspective essay on the notion of the human body as a political metaphor. Layer-by-layer the film digs down in order to reach answers to the proposed questions: what is body, what is illness and finally what is death. A journey through the history of medical imaging and a reflection on the recent death of the director's mother in the decorations of post-Soviet Russia. Getting under the skin of the viewer, the film attempts to comprehend the complex subject of corporeality. The title Bile refers to the physical and mental conditions of the human being. In fact, black bile comes from the old Greek for melancholy: melas cholè.
