Hideko Okiyama

Tokyo engineer Kariya arrives on a primitive tropical island, where he interacts with the Futori clan, to drill a well to power a sugar mill.

On a Tokyo dump’s shantytown edge, interwoven vignettes follow residents scraping by: a boy who “drives” an imaginary trolley, a homeless father and son designing a dream house, a young woman brutalized at home, drunks, schemers, and saints of small kindnesses. Kurosawa crafts a ragged mosaic of hardship, fantasy, and flickers of grace that keep people moving forward.

A 1920s playwright meets a beautiful woman who may be the ghost of his patron's deceased wife.

A man is trying to flee from his past, and he ends up in an underworld filled with strange characters. He finds a job skewering meat in a dirty old room in a shabby old house filled with prostitutes, gangsters and a weird old tattoo master. He clearly doesn't fit in to this new world, and the inhabitants of it immediately despise him.

An uptight young man comes to suspect that his factory worker girlfriend has a secret involving his boorish older brother.

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Taro Kuroki, 42, is a stuntman with a samurai's heart. He loves adventures, plays pranks with the police, tries to cure a cat lady by reversing her trauma, and finally, rescues his niece who is about to be lured into prostitution.

A 19-year-old newspaper delivery boy begins collecting information on the households in his neighborhood and keeping a journal of why he doesn't like them. Declaring himself a 'right-winger' and calling in bomb threats against the neighbors he doesn't like, the 19-year-old begins a war of psychological terror against the families in his neighborhood.

In the sixth and final episode Rentaro Mikuni steals the show as Baiken Shishido, Musashi's nemesis. Mikuni is the nominal villain of the film, but he is a devoted husband and father as well. He tries to kill Musashi only to avenge the death of his brother-in-law. While Baiken (who wields a chain and sickle against Musashi's sword) is a very human character and the emotions that Mikuni displays in his performance are quite believable and engaging

One day, when Goro (Kiyoshi Atsumi) returns to his poor tenement house from a trip on a deep-sea tuna boat, his neighbor's daughter Haruko (Mitsuko Baisho) also returns from the juvenile classification center on the same day. However, at a welcome party held by Goro for Haruko, a drunk friend crashes into Haruko's house with a dump truck and is forced to leave. Goro plans to marry Haruko to a rich man and force her to pay dowry, but...

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