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Yūko Kusunoki

Yūko Kusunoki

Acting

Biography

Yuko Kusunoki (楠侑子 Kusunoki Yūko, born 1933) is a Japanese actress. She appeared in more than twenty films since 1959.

Known For

Dodes'ka-den
7.1

On a Tokyo dump’s shantytown edge, interwoven vignettes follow residents scraping by: a boy who “drives” an imaginary trolley, a homeless father and son designing a dream house, a young woman brutalized at home, drunks, schemers, and saints of small kindnesses. Kurosawa crafts a ragged mosaic of hardship, fantasy, and flickers of grace that keep people moving forward.

Dodes'ka-den

1970
Intentions of Murder
7.0

The neglected common-law wife of a Japanese librarian is repeatedly harassed by a young man with a heart condition who seduces her with the prospect of a better life.

Intentions of Murder

1964
The Sleeping Beast Within
6.8

A newspaper reporter's search for his girlfriend's missing father lead him into heart of the criminal underworld of Yokohama's Chinatown.

The Sleeping Beast Within

1960
Samurai Wolf II
7.1

Kiba Okaminosuke finds himself entangled with a group of prisoners being transported to their executions, one of whom oddly looks exactly like his dead father. There are crooked gold miners, a beautiful girl who is unfortunately a complete lunatic and a dojo master who is obsessed with killing Kiba just to prove that his school's sword style is the best.

Samurai Wolf II

1967
Thirst for Love
7.0

A young wealthy widow becomes sexually involved with her father-in-law, while harboring a destructive obsession with the family gardener.

Thirst for Love

1967
Case of the Disjointed Murder
7.5

In the summer of 1947, various men and women gather at a mansion in the countryside at the invitation of Kazuma Utagawa. They are artists, novelists, poets, painters, playwrights, actresses, etc. Then the murders begin, one after another. The incident seemed to have no continuity...

Case of the Disjointed Murder

1977
Eros + Massacre
7.3

Two interwoven stories. The first is a biography of anarchist Sakae Osugi which follows his relationship with three women in the 1920s. The second centers around two 1960s students researching Osugi's theories.

Eros + Massacre

1969
The Challenge
7.4

Journalist Kuroki is investigating clandestine arms sales to Southeast Asia. He discovers that the point man in an arms trade was also involved in the cover-up of a murder on an American base during the Allied Occupation. The film rolls along as a suspenseful thriller while offering a critique of political corruption, hypocrisy, and journalistic cowardice in postwar Japan.

The Challenge

1962
Tower of Lilies
6.8

A group of Okinawan high school girls are drafted as nurses during the American invasion of the island. As the enemy army advances further, the situation for the girls becomes increasingly desperate as food and shelter run out and the number of injured climbs, leading to the film's tragic finale.

Tower of Lilies

1953
Gazing at Love and Death
7.0

A young girl knows that she is going to die and in this she is supported by the devotion of the boy who loves her. They originally met at the hospital. There it transpired that the only way to save her life was to sacrifice an eye and part of her face. The operation seems a success. Later, however, her other eye becomes affected. She feels she must let the boy go, and yet she depends so much upon his devotion.

Gazing at Love and Death

1964
The Nineteen-Year-Old's Map
7.2

A 19-year-old newspaper delivery boy begins collecting information on the households in his neighborhood and keeping a journal of why he doesn't like them. Declaring himself a 'right-winger' and calling in bomb threats against the neighbors he doesn't like, the 19-year-old begins a war of psychological terror against the families in his neighborhood.

The Nineteen-Year-Old's Map

1979
Goké, Body Snatcher from Hell
5.8

The survivors of a plane crash in a remote area are attacked by blob-like alien creatures that turn their victims into blood-thirsty vampires.

Goké, Body Snatcher from Hell

1968
Detective Bureau 2-3: Go to Hell, Bastards!
6.5

Tajima is a private detective in charge of his own company, Detective Bureau 2-3. When warring criminal gangs go overboard by robbing U.S. military munitions, Tajima steps in to stop what the cops can't.

Detective Bureau 2-3: Go to Hell, Bastards!

1963
Carmen from Kawachi
6.2

Like a girl runaway, Tsuyu moves to Osaka to work as a bar hostess. She meets the owner of a model school, Yoko, and seriously thinks about becoming a fashion model. Yoko tells her that she can move in to Yoko’s house to take lessons, while making a living at the same time.

Carmen from Kawachi

1966
Shinobi no mono 7: Mist Saizo Strikes Back
6.3

[Period covered: 1616] Kirigakure Saizo returns for the final time as he sets out to assassinate Tokugawa Ieyasu in order to avenge the death of Lord Sanada Yukimura. But first he must contend with Ieyasu’s own ninja group led by the powerful Fuma Daijuro, who has a score to settle with the men of Iga that dates back 280 years to the war between the Genji and the Heike at the Battle of Dan-no-Ura. Tremendous fighting and great plot twists highlight this exceptional look into the lives of the mysterious ninja of Japan.

Shinobi no mono 7: Mist Saizo Strikes Back

1966
House of Terrors
5.3

A hunchbacked caretaker presides over a forlorn mansion inhabited by the ghosts of his previous masters. An unbelieving trio (a doctor, his assistant and his niece) fail to heed the caretaker's warnings and are slaughtered horribly by the jealous occupants.

House of Terrors

1965
The Betrayers Out!
N/A

Shochiku's popular series of gang films, this one has the hero returning from prison bent on revenge. He runs into Chinese hoodlums, blackmailers and gold-smugglers. But he also aids and abets young lovers yet, despite his help, their love ends in tragedy and he tracks down his prey in Kobe.

The Betrayers Out!

1966
Bōkyō no umi
N/A

1962 Japanese movie

Bōkyō no umi

1962
間諜
N/A

No description available.

間諜

1964
A Woman Called En
N/A

Set at the end of the feudal period. A woman spends most of her early life in prison, incarcerated by political opponents of her father. When she is released at the age of 44, the power struggles of her clan continue to disturb her life and the man whom she loves.

A Woman Called En

1971