Chiara D'Anna

Day in and day out, lovers Cynthia and Evelyn enact an elaborate sadomasochistic fantasy as mistress and maid. But as their ritual of domination and submission begins to turn stale, Cynthia yearns for something more conventional, while Evelyn tries to push their taboos even further.

Strangers Kelly and Parker both end up on the same Italian cruise, but after missing the boat during a stop, they're forced to team up and race across southern Italy to catch up.

On his daughter's birthday, a wealthy father's reconciliation attempt is hijacked by two female burglars. A shakedown evolves into a lethal cat-and-mouse as hidden motives emerge, culminating in a life-altering revelation.

In the 1970s, a British sound technician is brought to Italy to work on the sound effects for a gruesome horror film. His nightmarish task slowly takes over his psyche, driving him to confront his own past.

The first date between Marcello and Herman turns into a game in which every action is dictated by rolling a mystical dice. A powerful feeling begins to arise between the two, but how long can a relationship entirely based on fate last?

An unnamed madame operates a unique peep show that caters to its customers deepest desires, fears, and sins. Tonight, it welcomes a businessman with a unique connection to an extreme fantasy website. Soon he will become a witness to three stories of victims that found the website. It’s only a matter of time before he’s made to pay the ultimate price for dabbling in the dark side of desire.

Two scientists are selected to travel across the universe to the source of a distant transmission and potential life.

In 1935, renowned Portuguese neurologist Egas Moniz visits psychiatrist Sobral Cid, trying to convince him to use his patients as subjects for an experimental treatment: frontal leukotomy. The film is a film adaptation of a scene from the play Brainland, which explores three key episodes in the history of 20th-century neuroscience. Each episode addresses dilemmas related to clinical ethics.

Simultaneously sumptuous and gorgeous, garish and grim, this is a re-working of Pinocchio for the neo-liberal era. Rachel Maclean’s dark fairytale, which represented Scotland at the Venice Biennale 2017, depicts a brash and baroque binary world of poverty and riches where the prospect of easy wealth tempts even good boys like Pic into bad ways. But if everyone believes the lie, what’s the problem?