Joe Ng

Bringing together some of the most talented Asian directors working within the genre sphere, this new anthology series creates an atmosphere unlike anything that’s come out of the region before.

A freak tsunami traps shoppers at a coastal Australian supermarket inside the building ... along with a 12-foot great white shark.

Alone for the first time and away from her family in rural Philippines, Rosa Dimaano arrives in the cosmopolitan city state of Singapore to work as a maid. Her employers Mr and Mrs Teo runs a Chinese Teochew dialect opera troupe takes well to their new domestic help. So do their mentally disabled son, Ah Soon. In Chinese superstition, the seventh month of the lunar calendar is regarded as the month when the gates of hell open for forsaken spirits to walk the earth for 30 days. Unknown to Rosa, she arrives on the eve and her hell is about to begin.

Rookie Sergeant Lee is injured in a shoot-out and is assigned to the dubious-sounding Miscellaneous Affairs Department (MAD). There, he is paired up with Inspector Wong, a jaded and alcoholic veteran who explains that MAD’s role is to answer supernatural calls. Wong explains MAD’s rule number one - there are no ghosts. For every seemingly inexplicable phenomenon, there is a corresponding scientific and rational explanation.

When young and successful reporter Jamie finds out that her sister has died in mysterious circumstances, she travels to Singapore to uncover the truth. There, she discovers multiple deaths linked to her sister's and must join forces with her sister's husband in order to defeat a demonic entity that is using new technology to complete an ancient mission.

When a human head is discovered, the paths of a female student, a cellist, an autistic teenager, a police officer, a prostitute, a teacher and a dog are found to be serendipitously entwined. Who caused the death? What is the motive? Where is the body? Attempts to answer these questions lead to keywords starting with the letter "G". As the case is peeled back layer by layer, the complexity and desperation of the people living in Hong Kong today are slowly uncovered, and a suspenseful multifarious Hong Kong story is revealed.

Following a deadly viral outbreak, private military soldier Max Gatling leads a handful of survivors and a ragtag band of robots against an army of the infected.

When taxi driver Ah Huat's son is kidnapped, he resorts to extreme measures to raise the $1,000,000 ransom. But when the kidnapper reneges on the exchange, Ah Huat takes the most extreme measure of all: he kidnaps the kidnapper's child.

A group of film students burn paper effigy cameras for the wandering spirits during the ghost month in Singapore and receive a collection of horror movies in return.

A romance between two opposites, Eating Air follows the lives of two teenagers during the hottest month in the history of Singapore. For Boy, breaking into bridal shops under the moonlight is as wildly exciting as Girl on her first motorcycle spin through the binding fluorescent tunnels of the CTE. About the joys and pangs of teenage love, Eating Air seeks the delirious madness that makes 18-year-olds invincible to low fuels, fists and oil-puddles on the road.

From Crazy Rich Asians (2018) to 12 Storeys (1997) to Sumpah Pontianak (The Curse of Pontianak) (1957), Singapore’s film industry is a diverse one and its evolution is nothing short of colourful. Recollecting Singapore’s famed studios in the 1950s to uncovering new waves of filmmakers in 90s and into today’s digital revolution, Singapore Cinema: Between Takes provides an insight into the rich history, and culture of Singapore films and its industry through candid reflections of filmmakers and content creators.

An emotive anthology by seven of Singapore's most illustrious filmmakers, celebrating SG50 through the lives and stories of Singaporeans. Directed by Eric Khoo, Jack Neo, K. Rajagopal, Royston Tan, Tan Pin Pin, Boo Junfeng, Kelvin Tong.

A painfully shy noodle-shop owner and a prostitute have a chance encounter when destiny arrives in the form of a car accident.

On the 60th anniversary of World War II, Boku Films presents 1942, a suspenseful horror movie set against an unforgettable war. The year is 1942. The setting - Malaya.

Set in Singapore in 1979, A Year Of No Significance chronicles the gradual disintegration of a middle-aged architect as changes rock the 45th year of his life. Sidelined in the office because of his inability to speak English, Lim Cheng Soon is cut further adrift when his wife leaves him inexplicably one day. His elderly father moves in, forcing him to confront the fact that the former has always preferred his younger brother. Robbed of his identities as architect, husband and son, Cheng Soon struggles in the dusk of his life, raging against the dying light.