
Robert Hofmann
Acting
Known For

SOKO Leipzig is a German police procedural television programme, a spin-off of the earlier German police programme SOKO 5113. It was first broadcast on 31 January 2001, on German television channel ZDF. On 12 November 2008, the first part of a two-part crossover between SOKO Leipzig and British police procedural The Bill was aired, with the same version being shown on both ZDF and British television channel ITV1.
SOKO Leipzig

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Wer weiß denn sowas?

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Kino Plus

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Kommissarin Lucas

When Adolf Hitler reawakens at the site of his former bunker in present-day Berlin, he is mistaken for a comedian and quickly becomes a media phenomenon.
Look Who's Back

Im Angesicht des Verbrechens is a German television series about the Russian mafia in Berlin. It received high critical acclaim, but the viewer figures were disappointing. It was broadcast by ARTE and Das Erste.
In the Face of Crime

Niko, a twenty-something college dropout, lives for the moment as he drifts through the streets of Berlin, curiously observing everyone around him and oblivious to his growing status as an outsider. Then on one fateful day, through a series of absurdly amusing encounters, everything changes.
A Coffee in Berlin
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Geile Zeit
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Pantoffelkino

A model family's happy life unexpectedly goes off the rails when the carefree Hedi, played by Laura Tonke, suddenly starts having panic attacks. First mental illness and then drug dependency – the happiness that these happy-go-lucky thirty-somethings once took for granted suddenly seems unattainable, and their world fragile and uncertain.
Hedi Schneider Is Stuck

Paul's life is marked by hunger, poverty and hard work. His sister Magda is sick and needs medicine. In town they meet Master Flintstone.
Das Märchen vom Schlaraffenland
During an evening performance in the an urban multiplex cinema the spectators of a social drama are suddenly torn from the film Reality: Karsten, charismatic leader of a group of starry-eyed idealists, interrupts the running film, steps before the white screen and starts a talk about structural violence and global injustice to the protesting audience. When the first spectators want to defend themselves against this intervention in her evening plans and go it becomes very clear that Karsten is not anlone and is supported by some armed comrades. As the first shots fall, the audience realizes that they are held hostage in a seriously menacing situation and there seems to be no way out from the obstructed cinema.
Traumfabrik

Sebastian is struggling with the problem of still not having a girlfriend at the age of 21. He seeks advice from his grandfather and a therapist, but neither really helps him.